Memory, daily life and subjectivity in Sem dó by Luli Penna
Our goal is to reflect on the relationship between history and memory, set in contemporary Brazilian comics produced by women, considering the way comic book artists turn to the past, investigate the visual/material culture to give visibility to experiences lived by ordinary people, characters who w...
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| Formato: | Artículo revista |
| Lenguaje: | Portugués |
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Facultad de Filosofía y Humanidades. Escuela de Historia
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35849 |
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I10-R10-article-358492021-12-06T12:45:09Z Memory, daily life and subjectivity in Sem dó by Luli Penna Memória, cotidiano e subjetividade em Sem dó de Luli Penna Lopes Pinheiro Queluz, Marilda Sem dó Luli Penna Comics Sem dó Luli Penna Quadrinhos Our goal is to reflect on the relationship between history and memory, set in contemporary Brazilian comics produced by women, considering the way comic book artists turn to the past, investigate the visual/material culture to give visibility to experiences lived by ordinary people, characters who were erased or marginalized, offering other narratives about the events. In this text we will analyze a fictional love story set in São Paulo in the 1920s, Sem Dó, by Luli Penna, published by Todavia, in 2017. With the changes in Brazilian politics and the resurgence of an extremely conservative and authoritarian thinking, inequality, violence, intolerance and prejudices of class, gender, race and ethnicity have increased. In contrast, concern for those excluded from history and for the recording of their memories eventually contaminated the pages of comics. Luli Penna uses references from movie posters, fashion magazines, newspaper ads and very few dialogues aligned the universe of work and household chores as a collection of memories. The characters face social conventions, normative behaviors, beauty standards, markers of class distinction. These graphic novels break away from a dichotomous and deterministic view, reinterpreting contexts, showing the contradictions of each time period, the tactics and strategies of negotiation, of resistance. O objetivo desse texto é refletir sobre as relações entre história, memória e subjetividades tramadas nos quadrinhos contemporâneos brasileiros feitos por mulheres, considerando a maneira como as desenhistas se voltam para o passado, mergulham em arquivos, acervos, documentos, investigando a cultura visual/material para criar outros olhares sobre as experiências vividas por homens e mulheres comuns, para representar personagens que foram apagados ou marginalizados, produzindo outras narrativas sobre os fatos. Para isso, será analisada a Sem dó, uma história de amor fictícia, ambientada em São Paulo nos anos 1920, escrita e desenhada por Luli Penna, publicada pela editora Todavia, em 2017. Com as mudanças na política brasileira e o ressurgimento de um pensamento extremamente conservador e autoritário, aumentaram a desigualdade, a violência, a intolerância e os preconceitos de classe, gênero, raça e etnia. Em contrapartida, a preocupação com os excluídos da história e com o registro de suas memórias acabou contaminando as páginas dos quadrinhos. Luli Penna usa referências de cartazes de cinema, revistas de moda, anúncios de jornais, programas de rádio e pouquíssimos diálogos para alinhavar o universo do trabalho e dos afazeres domésticos como uma coleção de memórias. As personagens enfrentam convenções sociais, comportamentos normativos, padrões de beleza, marcadores de distinção de classe. Essa novela gráfica foge de uma visão dicotômica e determinista, reinterpretando contextos, mostrando as contradições de cada época, as táticas cotidianas de negociação e de resistência. Facultad de Filosofía y Humanidades. Escuela de Historia 2021-12-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35849 Journal Red Intercátedras de Historia de América Latina Contemporánea ; No. 15 (2021): Magazine of the Red de Intercátedras de Historia de América Latina Contemporánea ; 206-221 Revista de la Red Intercátedras de Historia de América Latina Contemporánea; Núm. 15 (2021): Revista de la Red de Intercátedras de Historia de América Latina Contemporánea ; 206-221 Revista da Rede Intercátedras de História Contemporânea da América Latina ; n. 15 (2021): Revista da Red de Intercátedras de Historia de América Latina Contemporánea ; 206-221 2250-7264 por https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35849/35952 http://creativecommons.org/licenses/by-nc-nd/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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Revistas de la UNC |
| language |
Portugués |
| format |
Artículo revista |
| topic |
Sem dó Luli Penna Comics Sem dó Luli Penna Quadrinhos |
| spellingShingle |
Sem dó Luli Penna Comics Sem dó Luli Penna Quadrinhos Lopes Pinheiro Queluz, Marilda Memory, daily life and subjectivity in Sem dó by Luli Penna |
| topic_facet |
Sem dó Luli Penna Comics Sem dó Luli Penna Quadrinhos |
| author |
Lopes Pinheiro Queluz, Marilda |
| author_facet |
Lopes Pinheiro Queluz, Marilda |
| author_sort |
Lopes Pinheiro Queluz, Marilda |
| title |
Memory, daily life and subjectivity in Sem dó by Luli Penna |
| title_short |
Memory, daily life and subjectivity in Sem dó by Luli Penna |
| title_full |
Memory, daily life and subjectivity in Sem dó by Luli Penna |
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Memory, daily life and subjectivity in Sem dó by Luli Penna |
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Memory, daily life and subjectivity in Sem dó by Luli Penna |
| title_sort |
memory, daily life and subjectivity in sem dó by luli penna |
| description |
Our goal is to reflect on the relationship between history and memory, set in contemporary Brazilian comics produced by women, considering the way comic book artists turn to the past, investigate the visual/material culture to give visibility to experiences lived by ordinary people, characters who were erased or marginalized, offering other narratives about the events. In this text we will analyze a fictional love story set in São Paulo in the 1920s, Sem Dó, by Luli Penna, published by Todavia, in 2017. With the changes in Brazilian politics and the resurgence of an extremely conservative and authoritarian thinking, inequality, violence, intolerance and prejudices of class, gender, race and ethnicity have increased. In contrast, concern for those excluded from history and for the recording of their memories eventually contaminated the pages of comics. Luli Penna uses references from movie posters, fashion magazines, newspaper ads and very few dialogues aligned the universe of work and household chores as a collection of memories. The characters face social conventions, normative behaviors, beauty standards, markers of class distinction. These graphic novels break away from a dichotomous and deterministic view, reinterpreting contexts, showing the contradictions of each time period, the tactics and strategies of negotiation, of resistance. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Historia |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35849 |
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2022-08-20T01:16:03Z |
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