A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)

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In the last ten years, the cinematographic production in the province of Córdoba has not stopped growing, reaching recognition and legitimation on screens and very varied geo-cultural environments. It can be seen that, at the beginning of the century, the rhythm was slow but progressive, until reach...

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Autores principales: Siragusa, Cristina Andrea, Trioni Bellone, Carlos Ignacio, García, Viviana Inés, Yaya Aguilar, María Marcela, Tello, Juan, Jayat, Elena Gabriela, Georgieff, Marcos, Curatitoli, María Constanza
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
Materias:
region
public policies
cinematography
feature films
inventory
región
políticas públicas
cinematografía
largometrajes
inventario
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35805
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-35805
record_format ojs
spelling I10-R10-article-358052022-11-15T13:46:28Z A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020) Un repertorio (posible) de la filmografía de Córdoba: una década incesante y diversa en la producción de largometrajes (2010-2020) Siragusa, Cristina Andrea Trioni Bellone, Carlos Ignacio García, Viviana Inés Yaya Aguilar, María Marcela Tello, Juan Jayat, Elena Gabriela Georgieff, Marcos Curatitoli, María Constanza region public policies cinematography feature films inventory región políticas públicas cinematografía largometrajes inventario In the last ten years, the cinematographic production in the province of Córdoba has not stopped growing, reaching recognition and legitimation on screens and very varied geo-cultural environments. It can be seen that, at the beginning of the century, the rhythm was slow but progressive, until reaching a centrifugal dynamic that produced a transformation in the offer of Cordovan feature films. In this way, a modulation time operated that enabled the circulation of other narrative rhythms, figures of subjects, landscapes, problems and sounds; at the same time that the field of production and the ways of making cinema in the region were reconfigured. The State (national, provincial, local at different times) and its policies to promote content production provided a fundamental enclave for the development of this unprecedented phenomenon in Cordoba's cinematographic history. It is time, then, for an update of the “list” of local productions. Based on the experience of investigating the regional audiovisual field, a (possible) repertoire, by no means exhaustive, of feature films from Córdoba is proposed where stylistic plurality and the evolution of audiovisual/cinematographic trajectories and practices. En los últimos diez años la producción cinematográfica en la provincia de Córdoba no dejó de crecer, alcanzando el reconocimiento y la legitimación en pantallas y en ámbitos geo-culturales muy variados. Se puede observar que, en los inicios del siglo, el ritmo fue lento pero progresivo, hasta alcanzar una dinámica centrífuga que produjo una transformación en la oferta de largometrajes cordobeses. De este modo operó un tiempo de modulación que habilitó la circulación de otros ritmos narrativos, figuras de sujetxs, paisajes, problemáticas y sonoridades; al tiempo que se reconfiguraba el campo de la producción y los modos de hacer cine en la región. El Estado (nacional, provincial, local en distintos momentos) y sus políticas de fomento a la producción de contenidos proporcionaron un enclave fundamental para el desenvolvimiento de este fenómeno sin precedente en la historia cinematográfica cordobesa. Es el tiempo, entonces, de una actualización de la “lista” de producciones locales. A partir de la experiencia de investigar el campo audiovisual regional se propone un repertorio (posible), en absoluto exhaustivo, de largometrajes de Córdoba donde se vislumbra la pluralidad estilística y el devenir de trayectorias y prácticas audiovisuales/cinematográficas. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-refereed Audiovisual Artwork Review Reseña de obras audiovisuales no evaluada application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/35805 Toma Uno; No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts TOMA UNO; Núm. 9 (2021): La política, lo político, las políticas, en el Cine y las Artes audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n9.2021 ark:/s22504524/qoi0z31ty spa https://revistas.unc.edu.ar/index.php/toma1/article/view/35805/36131 https://revistas.unc.edu.ar/index.php/toma1/article/view/35805/36132 https://revistas.unc.edu.ar/index.php/toma1/article/view/35805/36133 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic region
public policies
cinematography
feature films
inventory
región
políticas públicas
cinematografía
largometrajes
inventario
spellingShingle region
public policies
cinematography
feature films
inventory
región
políticas públicas
cinematografía
largometrajes
inventario
Siragusa, Cristina Andrea
Trioni Bellone, Carlos Ignacio
García, Viviana Inés
Yaya Aguilar, María Marcela
Tello, Juan
Jayat, Elena Gabriela
Georgieff, Marcos
Curatitoli, María Constanza
A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
topic_facet region
public policies
cinematography
feature films
inventory
región
políticas públicas
cinematografía
largometrajes
inventario
author Siragusa, Cristina Andrea
Trioni Bellone, Carlos Ignacio
García, Viviana Inés
Yaya Aguilar, María Marcela
Tello, Juan
Jayat, Elena Gabriela
Georgieff, Marcos
Curatitoli, María Constanza
author_facet Siragusa, Cristina Andrea
Trioni Bellone, Carlos Ignacio
García, Viviana Inés
Yaya Aguilar, María Marcela
Tello, Juan
Jayat, Elena Gabriela
Georgieff, Marcos
Curatitoli, María Constanza
author_sort Siragusa, Cristina Andrea
title A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
title_short A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
title_full A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
title_fullStr A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
title_full_unstemmed A (possible) repertoire of Cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
title_sort (possible) repertoire of cordoba's filmography: an incessant and diverse decade of feature film production (2010-2020)
description In the last ten years, the cinematographic production in the province of Córdoba has not stopped growing, reaching recognition and legitimation on screens and very varied geo-cultural environments. It can be seen that, at the beginning of the century, the rhythm was slow but progressive, until reaching a centrifugal dynamic that produced a transformation in the offer of Cordovan feature films. In this way, a modulation time operated that enabled the circulation of other narrative rhythms, figures of subjects, landscapes, problems and sounds; at the same time that the field of production and the ways of making cinema in the region were reconfigured. The State (national, provincial, local at different times) and its policies to promote content production provided a fundamental enclave for the development of this unprecedented phenomenon in Cordoba's cinematographic history. It is time, then, for an update of the “list” of local productions. Based on the experience of investigating the regional audiovisual field, a (possible) repertoire, by no means exhaustive, of feature films from Córdoba is proposed where stylistic plurality and the evolution of audiovisual/cinematographic trajectories and practices.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35805
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first_indexed 2022-08-20T01:15:15Z
last_indexed 2023-02-28T06:26:09Z
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