The Gaze in The Secret of Rembrandt by María Teresa Andruetto
Maria Teresa Andruetto's writing seems to be based on a particular way of gazing, which contributes to one of the most prominent stylistic features of her poetry. To determine what this way of gazing is, what its properties and stylistic implications are, is the purpose of the article. The poem...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/31230 |
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I10-R10-article-312302020-12-15T00:31:37Z The Gaze in The Secret of Rembrandt by María Teresa Andruetto La mirada en El secreto de Rembrandt de María Teresa Andruetto Rodríguez, Blanca Alberta María Teresa Andruetto Argentine poetry gazing affectivity style María Teresa Andruetto poesía argentina mirada afectividad estilo Maria Teresa Andruetto's writing seems to be based on a particular way of gazing, which contributes to one of the most prominent stylistic features of her poetry. To determine what this way of gazing is, what its properties and stylistic implications are, is the purpose of the article. The poem The Secret of Rembrandt is taken as the object of analysis, from the field of literary studies and by taking into account some considerations of tensive semiotics, since this theoretical perspective, by correlating the sensitive with the intelligible as the first articulation of meaning, allows us to characterize the action of gazing, within Andruetto's poetry, as a form of the predominantly affective vision. La escritura de María Teresa Andruetto parece sustentarse en una forma particular de mirar, que aporta uno de los rasgos estilísticos más sobresalientes de su poesía. Determinar cuál es esta forma de mirada, cuáles son sus propiedades y sus implicaciones estilísticas, es el propósito del artículo. Se toma como objeto de estudio el poema El secreto de Rembrandt, desde el campo de los estudios literarios tomando en cuenta algunas consideraciones de la semiótica tensiva, pues esta perspectiva teórica, al poner en correlación lo sensible con lo inteligible como la primera articulación del sentido, permite caracterizar a la acción de mirar, en la poesía de Andruetto, como una forma de la visión predominantemente afectiva. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020-12-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/31230 Recial; Vol. 11 Núm. 18 (2020): Dossier: El cerco de los signos: comunidad, palabra y libertad en la literatura del sur argentino chileno del siglo XXI / DOSSIER ANIVERSARIO: Décimo Aniversario de la Revista RECIAL. La investigación en la Facultad de Filosofía en la Universidad Nacional de Córdoba 2718-658X 1853-4112 10.53971/2718.658x.v11.n18 spa https://revistas.unc.edu.ar/index.php/recial/article/view/31230/31888 https://revistas.unc.edu.ar/index.php/recial/article/view/31230/31973 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
María Teresa Andruetto Argentine poetry gazing affectivity style María Teresa Andruetto poesía argentina mirada afectividad estilo |
| spellingShingle |
María Teresa Andruetto Argentine poetry gazing affectivity style María Teresa Andruetto poesía argentina mirada afectividad estilo Rodríguez, Blanca Alberta The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| topic_facet |
María Teresa Andruetto Argentine poetry gazing affectivity style María Teresa Andruetto poesía argentina mirada afectividad estilo |
| author |
Rodríguez, Blanca Alberta |
| author_facet |
Rodríguez, Blanca Alberta |
| author_sort |
Rodríguez, Blanca Alberta |
| title |
The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| title_short |
The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| title_full |
The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| title_fullStr |
The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| title_full_unstemmed |
The Gaze in The Secret of Rembrandt by María Teresa Andruetto |
| title_sort |
gaze in the secret of rembrandt by maría teresa andruetto |
| description |
Maria Teresa Andruetto's writing seems to be based on a particular way of gazing, which contributes to one of the most prominent stylistic features of her poetry. To determine what this way of gazing is, what its properties and stylistic implications are, is the purpose of the article. The poem The Secret of Rembrandt is taken as the object of analysis, from the field of literary studies and by taking into account some considerations of tensive semiotics, since this theoretical perspective, by correlating the sensitive with the intelligible as the first articulation of meaning, allows us to characterize the action of gazing, within Andruetto's poetry, as a form of the predominantly affective vision. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/31230 |
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