Visible ties. Political projections of the family in contemporary Argentine cinema

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This article studies the way in which many fictions of Argentine cinema frequently resorted to the figure of the family, no longer as an allegory, but literally, thus emphasizing the problem that runs through contemporary family binders, ties and montages. In this sense, these films dialogue with so...

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Autor principal: Zangrandi, Marcos
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020
Materias:
family
argentinian cinema
contemporary cinema
gender
sexualities
familia
cine argentino
cine contemporáneo
género
sexualidades
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/30789
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-30789
record_format ojs
spelling I10-R10-article-307892021-12-02T04:17:31Z Visible ties. Political projections of the family in contemporary Argentine cinema Lazos visibles. Proyecciones políticas de la familia en el cine argentino contemporáneo Zangrandi, Marcos family argentinian cinema contemporary cinema gender sexualities familia cine argentino cine contemporáneo género sexualidades This article studies the way in which many fictions of Argentine cinema frequently resorted to the figure of the family, no longer as an allegory, but literally, thus emphasizing the problem that runs through contemporary family binders, ties and montages. In this sense, these films dialogue with social and cultural changes produced in recent years, theoretical interventions around the concept of gender and activism of LGBTIQ + and feminists groups. In Argentina, the link of these fictions with the debates produced around the laws of Equal Marriage, Comprehensive Sex Education, Gender Identity and the project of Legal Abortion is unavoidable. From this displacement, it is possible to notice a turn in relation to the private / public axis that historically organized, not only the domestic order, but also the political dimension of distributed objects. In this case, the family problem (and its derivations: upbringing, kinship, patriarchal and sanguine order, pregnancy, corporality, desire, sexuality) crosses the private sphere, and is exposed to public light; in this process, it acquires an ostensible and renewed power. In accordance with this approach, the link between family construction in relation to rape, desire and sexuality is studied in the films Los sonámbulos, Un rubio and Fin de siglo. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/kukahd0z3 Este artículo estudia la forma en que numerosas ficciones del cine argentino de los últimos años recurrieron frecuentemente a la figura de la familia ya no como alegoría, sino de manera literal, enfatizando de este modo la problemática misma que atraviesa los aglutinantes lazos y montajes familiares contemporáneos. En este sentido, estos films dialogan con cambios sociales y culturales recientes, intervenciones teóricas alrededor del concepto de género y activismos de colectivos LGBTIQ+ y feministas. En Argentina es insoslayable el vínculo de estas ficciones con los debates producidos en torno a las leyes de Matrimonio Igualitario, Educación Sexual Integral, Identidad de Género y el proyecto de Aborto Legal. A partir de este desplazamiento, es posible advertir un giro en relación con el eje privado/ público que organizó históricamente no sólo el orden doméstico, sino la dimensión política de los objetos distribuidos. En este caso, la problemática familiar (y sus derivaciones: crianza, xarentesco, orden patriarcal y sanguíneo, gestación, corporalidad, deseo, sexualidad) franquea el ámbito privado y se expone a la luz pública, y con ello, adquiere una politicidad ostensible y renovada. De acuerdo con este planteo, se estudia la vinculación de construcción de la familia en relación con la violación, el deseo y las sexualidades en las películas Los sonámbulos, Un rubio y Fin de siglo. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/kukahd0z3 Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/30789 Toma Uno; No. 8 (2020): Gender, Dissent and Diversities in Cinema and Audiovisual Arts TOMA UNO; Núm. 8 (2020): Género, disidencias y diversidades en el Cine y las Artes Audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n8.2020 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/30789/31481 https://revistas.unc.edu.ar/index.php/toma1/article/view/30789/31482 https://revistas.unc.edu.ar/index.php/toma1/article/view/30789/31483 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic family
argentinian cinema
contemporary cinema
gender
sexualities
familia
cine argentino
cine contemporáneo
género
sexualidades
spellingShingle family
argentinian cinema
contemporary cinema
gender
sexualities
familia
cine argentino
cine contemporáneo
género
sexualidades
Zangrandi, Marcos
Visible ties. Political projections of the family in contemporary Argentine cinema
topic_facet family
argentinian cinema
contemporary cinema
gender
sexualities
familia
cine argentino
cine contemporáneo
género
sexualidades
author Zangrandi, Marcos
author_facet Zangrandi, Marcos
author_sort Zangrandi, Marcos
title Visible ties. Political projections of the family in contemporary Argentine cinema
title_short Visible ties. Political projections of the family in contemporary Argentine cinema
title_full Visible ties. Political projections of the family in contemporary Argentine cinema
title_fullStr Visible ties. Political projections of the family in contemporary Argentine cinema
title_full_unstemmed Visible ties. Political projections of the family in contemporary Argentine cinema
title_sort visible ties. political projections of the family in contemporary argentine cinema
description This article studies the way in which many fictions of Argentine cinema frequently resorted to the figure of the family, no longer as an allegory, but literally, thus emphasizing the problem that runs through contemporary family binders, ties and montages. In this sense, these films dialogue with social and cultural changes produced in recent years, theoretical interventions around the concept of gender and activism of LGBTIQ + and feminists groups. In Argentina, the link of these fictions with the debates produced around the laws of Equal Marriage, Comprehensive Sex Education, Gender Identity and the project of Legal Abortion is unavoidable. From this displacement, it is possible to notice a turn in relation to the private / public axis that historically organized, not only the domestic order, but also the political dimension of distributed objects. In this case, the family problem (and its derivations: upbringing, kinship, patriarchal and sanguine order, pregnancy, corporality, desire, sexuality) crosses the private sphere, and is exposed to public light; in this process, it acquires an ostensible and renewed power. In accordance with this approach, the link between family construction in relation to rape, desire and sexuality is studied in the films Los sonámbulos, Un rubio and Fin de siglo. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/kukahd0z3
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/toma1/article/view/30789
work_keys_str_mv AT zangrandimarcos visibletiespoliticalprojectionsofthefamilyincontemporaryargentinecinema
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first_indexed 2022-08-20T01:15:08Z
last_indexed 2022-08-20T01:15:08Z
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