Simon, from the young adult novel to the film adaptation

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This paper analyzes the variations between the novel for young adults Simon vs. The homo sapiens agenda by Becky Albertalli (2015), and its film adaptation: Yo soy Simon (original title: Love, Simon) by Greg Berlanti (2018). In the first place, the novel is presented in the context of the Argentinia...

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Autor principal: Martínez, Damián Nicolás
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020
Materias:
literature for young people
LGBTIQ topics
cinema
adaptation
privacy
literatura juvenil
temática LGBTIQ
cine
adaptación
intimidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/30785
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-30785
record_format ojs
spelling I10-R10-article-307852021-12-02T04:17:31Z Simon, from the young adult novel to the film adaptation Simon, de la novela juvenil a la adaptación cinematográfica Martínez, Damián Nicolás literature for young people LGBTIQ topics cinema adaptation privacy literatura juvenil temática LGBTIQ cine adaptación intimidad This paper analyzes the variations between the novel for young adults Simon vs. The homo sapiens agenda by Becky Albertalli (2015), and its film adaptation: Yo soy Simon (original title: Love, Simon) by Greg Berlanti (2018). In the first place, the novel is presented in the context of the Argentinian editions. Then we describe and analyze the four procedures done for the adaptation of the film regarding sexual diversity. In order to analyze these changes, we consider the works by Didier Eribon (2001) and Paula Sibilia (2009). __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/nn2q3kq8x El presente trabajo aborda las variaciones operadas a partir de la novela juvenil Simon vs. The homo sapiens agenda de Becky Albertalli (2015), para su adaptación cinematográfica: Yo soy Simon (título original: Love, Simon), de Greg Berlanti (2018). Para ello,  en primer lugar, se presenta la novela en el marco del mercado editorial con énfasis en el ámbito argentino. A continuación, se describen y analizan los cuatro grandes procedimientos realizados en la adaptación cinematográfica en relación con la diversidad sexual y la intimidad. Para el análisis de dichas transformaciones, consideramos como referencia las obras de Didier Eribon (2001) y Paula Sibilia (2009). __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/nn2q3kq8x Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/30785 Toma Uno; No. 8 (2020): Gender, Dissent and Diversities in Cinema and Audiovisual Arts TOMA UNO; Núm. 8 (2020): Género, disidencias y diversidades en el Cine y las Artes Audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n8.2020 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/30785/31472 https://revistas.unc.edu.ar/index.php/toma1/article/view/30785/31473 https://revistas.unc.edu.ar/index.php/toma1/article/view/30785/31474 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic literature for young people
LGBTIQ topics
cinema
adaptation
privacy
literatura juvenil
temática LGBTIQ
cine
adaptación
intimidad
spellingShingle literature for young people
LGBTIQ topics
cinema
adaptation
privacy
literatura juvenil
temática LGBTIQ
cine
adaptación
intimidad
Martínez, Damián Nicolás
Simon, from the young adult novel to the film adaptation
topic_facet literature for young people
LGBTIQ topics
cinema
adaptation
privacy
literatura juvenil
temática LGBTIQ
cine
adaptación
intimidad
author Martínez, Damián Nicolás
author_facet Martínez, Damián Nicolás
author_sort Martínez, Damián Nicolás
title Simon, from the young adult novel to the film adaptation
title_short Simon, from the young adult novel to the film adaptation
title_full Simon, from the young adult novel to the film adaptation
title_fullStr Simon, from the young adult novel to the film adaptation
title_full_unstemmed Simon, from the young adult novel to the film adaptation
title_sort simon, from the young adult novel to the film adaptation
description This paper analyzes the variations between the novel for young adults Simon vs. The homo sapiens agenda by Becky Albertalli (2015), and its film adaptation: Yo soy Simon (original title: Love, Simon) by Greg Berlanti (2018). In the first place, the novel is presented in the context of the Argentinian editions. Then we describe and analyze the four procedures done for the adaptation of the film regarding sexual diversity. In order to analyze these changes, we consider the works by Didier Eribon (2001) and Paula Sibilia (2009). __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/nn2q3kq8x
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/toma1/article/view/30785
work_keys_str_mv AT martinezdamiannicolas simonfromtheyoungadultnoveltothefilmadaptation
AT martinezdamiannicolas simondelanovelajuvenilalaadaptacioncinematografica
first_indexed 2022-08-20T01:15:07Z
last_indexed 2022-08-20T01:15:07Z
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