Musicians and state agents disputing cultural policy in the rock circuit of La Plata city

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The relationship between rock musicians and state agencies has been in our country historically dynamic, intermittent changeable. An epochal climate that began in the years 2000, both in Argentina and Latin America, characterized by demands for democratic-participatory cultural policies, resulted in...

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Autor principal: Cingolani, Josefina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022
Materias:
Cultural policies
Rock
State agents
Disputes
Participation
Políticas culturales
Agentes estatales
Disputas
Participación
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/29957
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-29957
record_format ojs
spelling I10-R10-article-299572022-02-16T21:46:57Z Musicians and state agents disputing cultural policy in the rock circuit of La Plata city Músicos/as y agentes estatales disputando política cultural en el circuito de rock de la ciudad de La Plata MUSICIANS AND STATE AGENTS DISPUTING CULTURAL POLICY IN THE ROCK CIRCUIT OF LA PLATA CITY. Cingolani, Josefina Cultural policies Rock State agents Disputes Participation Políticas culturales Rock Agentes estatales Disputas Participación The relationship between rock musicians and state agencies has been in our country historically dynamic, intermittent changeable. An epochal climate that began in the years 2000, both in Argentina and Latin America, characterized by demands for democratic-participatory cultural policies, resulted in a change in the link between cultural makers and state agents. Looking to contribute to the debate around the design and implementation of these policies, this article aims to analyze the logics, legitimacies, and existing disputes in the relationship between rock musicians from the city of La Plata and local state agencies. To do this, we will start from a set of cultural policies that took place during 2016 and 2017 that allowed us to see articulation processes between both actors, as well as instances of tension, consensus and repositioning. The research was developed based on a qualitative methodological strategy, applying different data collection and production techniques, such as in-depth interviews, participant observation, cartography, shadowing (Jirón, 2012) and survey and analysis of primary and secondary sources. El vínculo entre músicos/as de rock y agencias estatales ha sido en nuestro país históricamente dinámico, intermitente, cambiante. Un clima de época iniciado en los años 2000, tanto en Argentina como en Latinoamérica, caracterizado por demandas de políticas culturales democrático-participativas, se tradujo en una modificación en el vínculo entre hacedores culturales y agentes estatales. Buscando contribuir al debate en torno al diseño e implementación de estas políticas, este artículo tiene como objetivo analizar las lógicas, las legitimidades y las disputas existentes en el vínculo entre músicos/as de rock de la ciudad de La Plata y agencias estatales locales. Para ello, partiremos de un conjunto de políticas culturales que tuvo lugar durante 2016 y 2017 que permitió ver procesos de articulación entre ambos actores, así como instancias de tensión, consenso y reposicionamiento. La investigación se desarrolló en base a una estrategia metodológica de tipo cualitativa, aplicando distintas técnicas de recolección y producción de datos, como entrevistas en profundidad, observación participante, cartografía, sombreo (Jirón, 2012) y relevamiento y análisis de fuentes primarias y secundarias. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022-01-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf text/html https://revistas.unc.edu.ar/index.php/astrolabio/article/view/29957 Astrolabio; No. 28 (2022): Enero - Junio: El ejercicio de los derechos humanos en América Latina: avances, desafíos y propuestas para su abordaje; 222-249 Astrolabio; Núm. 28 (2022): Enero - Junio: El ejercicio de los derechos humanos en América Latina: avances, desafíos y propuestas para su abordaje; 222-249 Astrolabio; n. 28 (2022): Enero - Junio: El ejercicio de los derechos humanos en América Latina: avances, desafíos y propuestas para su abordaje; 222-249 1668-7515 10.55441/1668.7515.n28 spa https://revistas.unc.edu.ar/index.php/astrolabio/article/view/29957/36862 https://revistas.unc.edu.ar/index.php/astrolabio/article/view/29957/37093 Derechos de autor 2022 Josefina Cingolani https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cultural policies
Rock
State agents
Disputes
Participation
Políticas culturales
Rock
Agentes estatales
Disputas
Participación
spellingShingle Cultural policies
Rock
State agents
Disputes
Participation
Políticas culturales
Rock
Agentes estatales
Disputas
Participación
Cingolani, Josefina
Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
topic_facet Cultural policies
Rock
State agents
Disputes
Participation
Políticas culturales
Rock
Agentes estatales
Disputas
Participación
author Cingolani, Josefina
author_facet Cingolani, Josefina
author_sort Cingolani, Josefina
title Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
title_short Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
title_full Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
title_fullStr Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
title_full_unstemmed Musicians and state agents disputing cultural policy in the rock circuit of La Plata city
title_sort musicians and state agents disputing cultural policy in the rock circuit of la plata city
description The relationship between rock musicians and state agencies has been in our country historically dynamic, intermittent changeable. An epochal climate that began in the years 2000, both in Argentina and Latin America, characterized by demands for democratic-participatory cultural policies, resulted in a change in the link between cultural makers and state agents. Looking to contribute to the debate around the design and implementation of these policies, this article aims to analyze the logics, legitimacies, and existing disputes in the relationship between rock musicians from the city of La Plata and local state agencies. To do this, we will start from a set of cultural policies that took place during 2016 and 2017 that allowed us to see articulation processes between both actors, as well as instances of tension, consensus and repositioning. The research was developed based on a qualitative methodological strategy, applying different data collection and production techniques, such as in-depth interviews, participant observation, cartography, shadowing (Jirón, 2012) and survey and analysis of primary and secondary sources.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2022
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/29957
work_keys_str_mv AT cingolanijosefina musiciansandstateagentsdisputingculturalpolicyintherockcircuitoflaplatacity
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first_indexed 2022-08-20T00:48:55Z
last_indexed 2022-08-20T00:48:55Z
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