The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks
This article analizes the way in which two novels, Antonio Dal Masetto's Hay unostipos abajo and Osvaldo Soriano's Cuarteles de invierno, re-present popularcelebrations during the last military dictatorship in Argentina. The objective of thiswork is to demonstrate that these celebrations t...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/29423 |
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I10-R10-article-294232021-07-27T22:46:01Z The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks La representación de la fiesta popular en la dictadura, ¿fiesta del monstruo? Análisis de las novelas Hay unos tipos abajo, de Antonio Dal Masetto, y Cuarteles de invierno, de Osvaldo Soriano Pérez, María Laura detective genre literary tradition popular celebration surveillance fiesta género policial tradición literaria vigilancia This article analizes the way in which two novels, Antonio Dal Masetto's Hay unostipos abajo and Osvaldo Soriano's Cuarteles de invierno, re-present popularcelebrations during the last military dictatorship in Argentina. The objective of thiswork is to demonstrate that these celebrations take place in a climate of tension,vigilance and control because it is the military state that organizes them. I shalltherefore focus on the importance of the detective genre to provide a means to narratethe events from a surveillan and controlling point of view. Finally, I will considerwhether the representations of these celebrations proceed from the literary traditioninitiated by Bustos Domecq's short story “La fiesta del monstruo”, where the joyproceeds from the annihilation of the victim. En las novelas Hay unos tipos abajo, de Antonio Dal Masetto, y Cuarteles de invierno,de Osvaldo Soriano, los protagonistas se ven excluidos de las festividades de maneraviolenta. El objetivo de este trabajo es demostrar que las fiestas se desarrollan en unclima de tensión, vigilancia y control, debido a que el organizador es un Estado militar ydictatorial. Ambas novelas se analizan en diálogo con el género policial, pues poseen lascaracterísticas que adopta el género desde la década del setenta. También se consideraráen qué medida estas formas de representar la fiesta se vinculan con el cuento de BustosDomecq “La fiesta del monstruo”, principalmente desde la concepción de unacelebración que se regocija en el sacrificio violento de una víctima. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020-07-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/29423 Recial; Vol. 11 Núm. 17 (2020): Dossier: Últimas tendencias en la poesía hispanoamericana (1960-2019): de las literaturas nacionales a la construcción de un canon transatlántico; 96-118 2718-658X 1853-4112 10.53971/2718.658x.v11.n17 spa https://revistas.unc.edu.ar/index.php/recial/article/view/29423/30217 https://revistas.unc.edu.ar/index.php/recial/article/view/29423/30218 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
detective genre literary tradition popular celebration surveillance fiesta género policial tradición literaria vigilancia |
| spellingShingle |
detective genre literary tradition popular celebration surveillance fiesta género policial tradición literaria vigilancia Pérez, María Laura The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| topic_facet |
detective genre literary tradition popular celebration surveillance fiesta género policial tradición literaria vigilancia |
| author |
Pérez, María Laura |
| author_facet |
Pérez, María Laura |
| author_sort |
Pérez, María Laura |
| title |
The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| title_short |
The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| title_full |
The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| title_fullStr |
The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| title_full_unstemmed |
The representationof the popularfestival in the dictatorship, monster festival? Analysis of the novels There are some guys down and Winter barracks |
| title_sort |
representationof the popularfestival in the dictatorship, monster festival? analysis of the novels there are some guys down and winter barracks |
| description |
This article analizes the way in which two novels, Antonio Dal Masetto's Hay unostipos abajo and Osvaldo Soriano's Cuarteles de invierno, re-present popularcelebrations during the last military dictatorship in Argentina. The objective of thiswork is to demonstrate that these celebrations take place in a climate of tension,vigilance and control because it is the military state that organizes them. I shalltherefore focus on the importance of the detective genre to provide a means to narratethe events from a surveillan and controlling point of view. Finally, I will considerwhether the representations of these celebrations proceed from the literary traditioninitiated by Bustos Domecq's short story “La fiesta del monstruo”, where the joyproceeds from the annihilation of the victim. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/29423 |
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