Cinema as a passer of the real

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Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequentlysymbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribingth...

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Autores principales: Laso, Eduardo, Michel Fariña, Juan Jorge
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2020
Materias:
Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-29222
record_format ojs
spelling I10-R10-article-292222020-07-08T15:31:29Z Cinema as a passer of the real El cine como pasador de lo real Laso, Eduardo Michel Fariña, Juan Jorge Cinema Creative process Psychoanalysis Trauma Cine Proceso creador Psicoanálisis Trauma Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequentlysymbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribingthe impossible. It is about giving images, words and representations to what is initially absent, silenced, rejected. So that this real ceases to be a mortification made open wound, installed as a vain repetition. In this sense, cinema is a passer from the real to the symbolic through images. This articleintroduces this thesis through examples from painting, performance and cinema. El cine permite dar palabras e imágenes al acontecimiento catastrófico. Ofrece la posibilidad de operar con el real traumático social y en consecuencia simbolizarlo. Tanto el psicoanálisis como el arte emprenden, por vías distintas, esta ardua tarea de hacer pasar lo real a lo simbólico, de inscribir lo imposible. Se trata de dar imágenes, palabras y representaciones a aquello que en principio está ausente, silenciado, rechazado. Para que ese real deje de ser una mortificación hecha herida abierta, instalada como repetición vana. En ese sentido, el cine es pasador de lo real a lo simbólico a través de las imágenes. El presente artículo introduce esta tesis a través de ejemplos de la pintura, la performance y el cine. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2020-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222 Ética y Cine Journal; Vol. 10 Núm. 1 (2020): Ética, Estética y Política; 87-93 2250-5415 2250-5660 10.31056/2250.5415.v10.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222/30031 Derechos de autor 2020 Ética y Cine https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
spellingShingle Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
Laso, Eduardo
Michel Fariña, Juan Jorge
Cinema as a passer of the real
topic_facet Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
author Laso, Eduardo
Michel Fariña, Juan Jorge
author_facet Laso, Eduardo
Michel Fariña, Juan Jorge
author_sort Laso, Eduardo
title Cinema as a passer of the real
title_short Cinema as a passer of the real
title_full Cinema as a passer of the real
title_fullStr Cinema as a passer of the real
title_full_unstemmed Cinema as a passer of the real
title_sort cinema as a passer of the real
description Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequentlysymbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribingthe impossible. It is about giving images, words and representations to what is initially absent, silenced, rejected. So that this real ceases to be a mortification made open wound, installed as a vain repetition. In this sense, cinema is a passer from the real to the symbolic through images. This articleintroduces this thesis through examples from painting, performance and cinema.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2020
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222
work_keys_str_mv AT lasoeduardo cinemaasapasserofthereal
AT michelfarinajuanjorge cinemaasapasserofthereal
AT lasoeduardo elcinecomopasadordeloreal
AT michelfarinajuanjorge elcinecomopasadordeloreal
first_indexed 2022-08-20T01:04:49Z
last_indexed 2022-08-20T01:04:49Z
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