A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017)
Between 2007 and 2017 existed in Tucumán, north-western province in Argentina, a cultural bar that became a reference place for the alternative circuit and that since 2009 counted on a place allocated for alive folklore sessions. Given the singularity and relevance of this space for the local and na...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/27019 |
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I10-R10-article-270192020-07-09T23:15:38Z A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) “Un cobijo para el arte”: Lo local como resistencia en Casa Managua, Tucumán (2007-2017) Orquera, Fabiola argentinean north-west folklore denial of coevalness progressivism identity noroeste argentino folclore no-contemporaneidad progresismo identidad Between 2007 and 2017 existed in Tucumán, north-western province in Argentina, a cultural bar that became a reference place for the alternative circuit and that since 2009 counted on a place allocated for alive folklore sessions. Given the singularity and relevance of this space for the local and national scene, the purpose of this article is locate this experience as link of a federal history of Argentinean popular culture and articulate an interpretation about the relationships between politics, nation and folklore in the years of Kirchnerism. Our itinerary is built through three interviews to key-actors of this process: Nancy Pedro -singer, composer and cultural manager-, in the charge of the musical agenda between 2007 and 2015; Ariel Alberto, guitar player and soundman; and Gustavo Moyano, music teacher, guitar player and founder partner in charge of the performance’s lounge of the place. Also, this research counted on testimonies of Juan Falú, Lucho Hoyos and Topo Encinar, well-known artists who used to play there, and of frequent visitors at Casa Managua, besides of consulting newspaper’s news. This experience is analyzed considering the category on “denial of coevalness” developed by Jesús Martín-Barbero and the relationship between music and identity, according to Pablo Vila’s view. Entre 2007 y 2017 funcionó en Tucumán Casa Managua, un bar cultural que se convirtió en lugar referencia del circuito alternativo y que a partir del año 2009 contó con una sala destinada a la realización de recitales de folklore en vivo. Dada la singularidad y relevancia del espacio para la escena musical local y nacional, nos proponemos ubicar esa experiencia como eslabón en una historia federal de la cultura popular argentina y articular una interpretación sobre las relaciones entre política, nación y folklore en los años del kirchnerismo. Nuestro recorrido se construye a través de tres entrevistas a actores centrales del proyecto: Nancy Pedro, cantante, compositora y gestora cultural, a cargo de la agenda musical entre 2007 y 2015; Ariel Alberto, guitarrista y sonidista de la sala; y Gustavo Moyano, docente de música, guitarrista y socio fundador a cargo de la sala de espectáculos. Además, se contó con testimonios de Juan Falú, Lucho Hoyos y Topo Encinar, quienes solían tocar ahí, y de habitués de la sala, además de consultar noticias periodísticas. Esta experiencia es analizada en base a la categoría de no-contemporaneidad que desarrolla Jesús Martín-Barbero y a la relación entre música e identidad que analiza Pablo Vila. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/27019 Recial; Vol. 10 Núm. 16 (2019): Dossier: Nuevas articulaciones entre Folclore, Política y Nación en América Latina 2718-658X 1853-4112 10.53971/2718.658x.v10.n16 spa https://revistas.unc.edu.ar/index.php/recial/article/view/27019/28670 https://revistas.unc.edu.ar/index.php/recial/article/view/27019/28671 |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
argentinean north-west folklore denial of coevalness progressivism identity noroeste argentino folclore no-contemporaneidad progresismo identidad |
| spellingShingle |
argentinean north-west folklore denial of coevalness progressivism identity noroeste argentino folclore no-contemporaneidad progresismo identidad Orquera, Fabiola A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| topic_facet |
argentinean north-west folklore denial of coevalness progressivism identity noroeste argentino folclore no-contemporaneidad progresismo identidad |
| author |
Orquera, Fabiola |
| author_facet |
Orquera, Fabiola |
| author_sort |
Orquera, Fabiola |
| title |
A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| title_short |
A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| title_full |
A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| title_fullStr |
A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| title_full_unstemmed |
A Shelter to the Art: The Local as Resistance in Casa Managua, Tucumán (2007-2017) |
| title_sort |
shelter to the art: the local as resistance in casa managua, tucumán (2007-2017) |
| description |
Between 2007 and 2017 existed in Tucumán, north-western province in Argentina, a cultural bar that became a reference place for the alternative circuit and that since 2009 counted on a place allocated for alive folklore sessions. Given the singularity and relevance of this space for the local and national scene, the purpose of this article is locate this experience as link of a federal history of Argentinean popular culture and articulate an interpretation about the relationships between politics, nation and folklore in the years of Kirchnerism.
Our itinerary is built through three interviews to key-actors of this process: Nancy Pedro -singer, composer and cultural manager-, in the charge of the musical agenda between 2007 and 2015; Ariel Alberto, guitar player and soundman; and Gustavo Moyano, music teacher, guitar player and founder partner in charge of the performance’s lounge of the place. Also, this research counted on testimonies of Juan Falú, Lucho Hoyos and Topo Encinar, well-known artists who used to play there, and of frequent visitors at Casa Managua, besides of consulting newspaper’s news. This experience is analyzed considering the category on “denial of coevalness” developed by Jesús Martín-Barbero and the relationship between music and identity, according to Pablo Vila’s view. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/27019 |
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