To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals
To think about analyze the way in which politics, nation and folklore articulate itself in Latin America implies, at least, to understand to understand the variations in time and reality and the names that refer to it. Also implies the need to adjust corresponding definitions, which we do here for i...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2019
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I10-R10-article-270002020-07-09T23:15:38Z To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals ¿Nombrar la tradición… o el futuro? Folk-lore, posfolklore, folk-link: dudas, comentarios y propuestas Molinero, Carlos neofolklore posfolklore folk projection affective turn folk-link neofolklore posfolklore proyección folklórica giro afectivo enlace folklórico folk-link To think about analyze the way in which politics, nation and folklore articulate itself in Latin America implies, at least, to understand to understand the variations in time and reality and the names that refer to it. Also implies the need to adjust corresponding definitions, which we do here for investigation scopes. So in this paper “neofolklore”, “posfolklore”, “folk-communication”, as well as “folklore projection” (folklore showing) and “modern folklore”, are designations analyzed. Briefly tracing the history of theoretical concepts with which folk science proposed to approach author creation, not anonymous, allows us to glimpse how people were conceived, the nation and the art that tried to represent them. Limitations of transferring those concepts to popular music, now, require new points of view, like “affective turn” in social studies. This is especially important when the music whole that includes “creator/issuer, performer, and receivers (actually co-makers)”, transforms it in “musics of use”. All this leads us, in transcendent substantial cases, the close of that special circle of observation, creation, emission, reception and reimpact in new artists, that in popular creation and when are founded through entire trajectories, constitutes what we call “folk-link”, definition we propose here. Links that, of course, to be such, must be generationally relevant. Pensar en analizar la forma en que folklore, política y nación se articulan en América Latina implica, al menos, tener claras las variabilidades en el tiempo, de la realidad y de los términos que intentan representarla. También implica la necesidad de ajustar las definiciones correspondientes, lo que realizamos a efectos investigativos. Por ello, “neofolklore”, “posfolklore”, “folk-comunicación” son designaciones analizadas en este trabajo, tanto como “folklore moderno” o “proyección folklórica”. El recorrer brevemente la historia de los conceptos teóricos con que la ciencia folklórica propuso acercarse a la creación de autor, no anónima, nos permite vislumbrar cómo se concebía al pueblo, a la nación y al arte que intentaba representarlos. Las limitaciones provocadas al transferir hoy esas concepciones a la música popular determinan la necesidad de nuevos enfoques, como el reciente giro afectivo en los estudios sociales. Esto es especialmente importante cuando el conjunto “creador/emisor-ejecutor y receptor/público (real co-constructor de las obras)” la convierte en músicas de uso. Esto nos conduce, para los casos sustancialmente trascendentes, al cierre de ese especial círculo de observación, creación, emisión, recepción y reimpactación en nuevos creadores, que, en la creación popular y cuando están cimentadas a través de trayectorias integrales, constituye lo que denominamos enlace folklórico, o “folk-link”. Enlaces, claro, que, para ser tales, deben ser generacionalmente significativos. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/27000 Recial; Vol. 10 Núm. 16 (2019): Dossier: Nuevas articulaciones entre Folclore, Política y Nación en América Latina 2718-658X 1853-4112 10.53971/2718.658x.v10.n16 spa https://revistas.unc.edu.ar/index.php/recial/article/view/27000/28645 https://revistas.unc.edu.ar/index.php/recial/article/view/27000/28646 |
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Universidad Nacional de Córdoba |
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Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
neofolklore posfolklore folk projection affective turn folk-link neofolklore posfolklore proyección folklórica giro afectivo enlace folklórico folk-link |
spellingShingle |
neofolklore posfolklore folk projection affective turn folk-link neofolklore posfolklore proyección folklórica giro afectivo enlace folklórico folk-link Molinero, Carlos To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
topic_facet |
neofolklore posfolklore folk projection affective turn folk-link neofolklore posfolklore proyección folklórica giro afectivo enlace folklórico folk-link |
author |
Molinero, Carlos |
author_facet |
Molinero, Carlos |
author_sort |
Molinero, Carlos |
title |
To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
title_short |
To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
title_full |
To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
title_fullStr |
To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
title_full_unstemmed |
To Name the Tradition... Or the Future? Folk-Lore, Posfolklore, Folk-Link: Doubts, Comments and Proposals |
title_sort |
to name the tradition... or the future? folk-lore, posfolklore, folk-link: doubts, comments and proposals |
description |
To think about analyze the way in which politics, nation and folklore articulate itself in Latin America implies, at least, to understand to understand the variations in time and reality and the names that refer to it. Also implies the need to adjust corresponding definitions, which we do here for investigation scopes. So in this paper “neofolklore”, “posfolklore”, “folk-communication”, as well as “folklore projection” (folklore showing) and “modern folklore”, are designations analyzed. Briefly tracing the history of theoretical concepts with which folk science proposed to approach author creation, not anonymous, allows us to glimpse how people were conceived, the nation and the art that tried to represent them. Limitations of transferring those concepts to popular music, now, require new points of view, like “affective turn” in social studies. This is especially important when the music whole that includes “creator/issuer, performer, and receivers (actually co-makers)”, transforms it in “musics of use”.
All this leads us, in transcendent substantial cases, the close of that special circle of observation, creation, emission, reception and reimpact in new artists, that in popular creation and when are founded through entire trajectories, constitutes what we call “folk-link”, definition we propose here. Links that, of course, to be such, must be generationally relevant. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2019 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/27000 |
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first_indexed |
2022-08-20T01:13:27Z |
last_indexed |
2022-08-20T01:13:27Z |
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