Love in the time of Disney princesses
The “Wonderful Disney World”, from its Princesses, proposes female stereotypes as possible answers to the Freudian question about what a woman wants. From the first appearance to the present, these princesses were modifying their positions and countenance, according to the discourse of the prevailin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26800 |
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I10-R10-article-268002020-02-05T18:08:32Z Love in the time of Disney princesses El amor en los tiempos de las Princesas de Disney Beloso, Lorena Fullana, Marisol Disney princesses Love Jouissance Feminisms Social Symptom Disney princesas Amor Goce Feminismos Síntoma social The “Wonderful Disney World”, from its Princesses, proposes female stereotypes as possible answers to the Freudian question about what a woman wants. From the first appearance to the present, these princesses were modifying their positions and countenance, according to the discourse of the prevailing master. In the same way their relationship to men was transformed, and the place they give to love. Since the 30s, with the model of mother and housewife, going through the 60s with sexual liberation, and the first feminist movements, to the present where feminisms take center stage, women were reinventing themselves, and with it their ties , to the other, and consequently to the Other. El “maravilloso Mundo de Disney”, a partir de sus Princesas, propone estereotipos femeninos como posibles respuestas a la pregunta freudiana sobre que quiere una mujer. Desde la primera aparición hasta la actualidad, estas princesas fueron modificando sus posiciones y semblantes, según el discurso del amo imperante. De igual manera se vio transformada su relación a los hombres, y el lugar que otorgan al amor. Desde la década del 30, con el modelo de madre y ama de casa, pasando por los 60 con la liberación sexual, y los primeros movimientos feministas, a la actualidad donde los feminismos toman protagonismo, las mujeres fueron reinventándose, y con ella sus lazos, al otro, y en consecuencia al Otro. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019-12-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26800 Ética y Cine Journal; Vol. 9 Núm. 3 (2019): Pibas. Movimientos, identidades, posiciones; 17-20 2250-5415 2250-5660 10.31056/2250.5415.v9.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26800/28452 Derechos de autor 2019 Ética y Cine Journal |
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Universidad Nacional de Córdoba |
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Revistas de la UNC |
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Español |
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Artículo revista |
| topic |
Disney princesses Love Jouissance Feminisms Social Symptom Disney princesas Amor Goce Feminismos Síntoma social |
| spellingShingle |
Disney princesses Love Jouissance Feminisms Social Symptom Disney princesas Amor Goce Feminismos Síntoma social Beloso, Lorena Fullana, Marisol Love in the time of Disney princesses |
| topic_facet |
Disney princesses Love Jouissance Feminisms Social Symptom Disney princesas Amor Goce Feminismos Síntoma social |
| author |
Beloso, Lorena Fullana, Marisol |
| author_facet |
Beloso, Lorena Fullana, Marisol |
| author_sort |
Beloso, Lorena |
| title |
Love in the time of Disney princesses |
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Love in the time of Disney princesses |
| title_full |
Love in the time of Disney princesses |
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Love in the time of Disney princesses |
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Love in the time of Disney princesses |
| title_sort |
love in the time of disney princesses |
| description |
The “Wonderful Disney World”, from its Princesses, proposes female stereotypes as possible answers to the Freudian question about what a woman wants. From the first appearance to the present, these princesses were modifying their positions and countenance, according to the discourse of the prevailing master. In the same way their relationship to men was transformed, and the place they give to love. Since the 30s, with the model of mother and housewife, going through the 60s with sexual liberation, and the first feminist movements, to the present where feminisms take center stage, women were reinventing themselves, and with it their ties , to the other, and consequently to the Other. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26800 |
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2022-08-20T01:04:47Z |
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