Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi
Abstract In this article we analyze Tributo del mudo (1982) by Diana Bellessi. Four parts make up the collection of poems: “Jade”, “Tributo del mudo”, “Persecución del sueño” and “Nadie entra aquí con las palabras”. Extensions of water with their courses, dangers and calmness are places where nature...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/24848 |
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I10-R10-article-248482019-07-04T11:47:17Z Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi Paisaje, poesía y voz en Tributo del mudo de Diana Bellessi Ybañes, Roxana Bellessi landscape poetry Tributo del mudo voice Bellessi paisaje poesía Tributo del mudo voz Abstract In this article we analyze Tributo del mudo (1982) by Diana Bellessi. Four parts make up the collection of poems: “Jade”, “Tributo del mudo”, “Persecución del sueño” and “Nadie entra aquí con las palabras”. Extensions of water with their courses, dangers and calmness are places where nature, culture and politics nest. A river of oriental lands, between poem and poem, reaches the delta del Tigre during the Argentine dictatorship and brings together the beautiful and painful image of a woman dressed in silk. Word and voice are channeled as a solidarity event, in vibration with the figures of the landscape. This study deals with: 1. the figures of the landscapes of the river, the sea and the island that are composed in the poems, imbricated with forms of movement, translation, variation, continuity and calmness; 2. the figures of the word and the voice that explore uses of space, irradiations of cited voices, enjambment procedures, cuts of verses and the treatment of textures and colors. It is proposed as a hypothesis that this poetry assumes a political aspect and proposes possible ways to articulate writing and reading, daydream and desire, feelings and memory. En este artículo analizamos Tributo del mudo (1982) de Diana Bellessi. Cuatro partes componen el poemario: “Jade”, “Tributo del mudo”, “Persecución del sueño” y “Nadie entra aquí con las palabras”. Extensiones de agua con sus cauces, peligros y quietudes son parajes en los cuales anidan naturaleza, cultura y política. Un río de tierras orientales, entre poema y poema, alcanza el delta del Tigre en plena dictadura argentina y acerca la imagen tan bella como dolorida de una mujer poeta vestida de seda. Palabra y voz se encauzan como acontecimiento solidario, en vibración con las figuras del paisaje. Este estudio aborda: 1. las figuras de los paisajes del río, el mar y la isla que se componen en los poemas, imbricadas con formas de movimiento, traslación, variación, continuidad y quietud; 2. las figuras de la palabra y la voz que exploran usos de espacio, irradiaciones de voces citadas, procedimientos de encabalgamiento, cortes de versos y el tratamiento de texturas y colores. Se propone como hipótesis que esta poesía asume un matiz político y propone formas posibles para articular escritura y lectura, ensoñación y deseo, sentimientos y memoria. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/24848 Recial; Vol. 10 Núm. 15 (2019): Dossier: Paisajes: naturaleza y cultura en la literatura latinoamericana (siglos XIX y XX) 2718-658X 1853-4112 10.53971/2718.658x.v10.n15 spa https://revistas.unc.edu.ar/index.php/recial/article/view/24848/24096 https://revistas.unc.edu.ar/index.php/recial/article/view/24848/html Derechos de autor 2019 Recial |
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Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Bellessi landscape poetry Tributo del mudo voice Bellessi paisaje poesía Tributo del mudo voz |
| spellingShingle |
Bellessi landscape poetry Tributo del mudo voice Bellessi paisaje poesía Tributo del mudo voz Ybañes, Roxana Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| topic_facet |
Bellessi landscape poetry Tributo del mudo voice Bellessi paisaje poesía Tributo del mudo voz |
| author |
Ybañes, Roxana |
| author_facet |
Ybañes, Roxana |
| author_sort |
Ybañes, Roxana |
| title |
Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| title_short |
Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| title_full |
Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| title_fullStr |
Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| title_full_unstemmed |
Landscape, Poetry and Voice in Tributo del mudo by Diana Belessi |
| title_sort |
landscape, poetry and voice in tributo del mudo by diana belessi |
| description |
Abstract In this article we analyze Tributo del mudo (1982) by Diana Bellessi. Four parts make up the collection of poems: “Jade”, “Tributo del mudo”, “Persecución del sueño” and “Nadie entra aquí con las palabras”. Extensions of water with their courses, dangers and calmness are places where nature, culture and politics nest. A river of oriental lands, between poem and poem, reaches the delta del Tigre during the Argentine dictatorship and brings together the beautiful and painful image of a woman dressed in silk. Word and voice are channeled as a solidarity event, in vibration with the figures of the landscape. This study deals with: 1. the figures of the landscapes of the river, the sea and the island that are composed in the poems, imbricated with forms of movement, translation, variation, continuity and calmness; 2. the figures of the word and the voice that explore uses of space, irradiations of cited voices, enjambment procedures, cuts of verses and the treatment of textures and colors. It is proposed as a hypothesis that this poetry assumes a political aspect and proposes possible ways to articulate writing and reading, daydream and desire, feelings and memory. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/24848 |
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