The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver
In Latin America it is possible to encounter a profusion of texts related to Afro-Indo-American elements that dialogue with the particular sense of what Severo Sarduy called “the neo-baroque”. Lezama Lima’s and Alejo Carpentiers’ work, along with the poetry of Osvaldo Lamborghini, and the prose of W...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/22858 |
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I10-R10-article-228582018-12-20T12:58:28Z The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver El barro no solo trajo al Barroco: un pliegue afroamericano entre el Caribe y el Río de la Plata Lanza Lopez, Mariano Afro-america Baroque colonialism Cucurto literature Afroamérica Barroco colonialismo Cucurto literatura In Latin America it is possible to encounter a profusion of texts related to Afro-Indo-American elements that dialogue with the particular sense of what Severo Sarduy called “the neo-baroque”. Lezama Lima’s and Alejo Carpentiers’ work, along with the poetry of Osvaldo Lamborghini, and the prose of Washington Cucurto, seemed to have opted for an irreverently anti-Occidentalist aesthetic that urges reading culture against to the established. With a marked influence from the Caribbean and the region of the Rio de la Plata indistinctly, we found new leaks that re-signify what Néstor Perlongher denominated as <<neobarroso>>.This article analyzes how this neologism is not only applicable to literature, but also as the mark of a historical sensitivity. In order to accomplish this, we trace the linking points between the Afrio-american history and the literary work of Cucurto. As a result, we have find the traces of a new <<Caribbean drift>> linked with the Rio de la Plata.This way, we contribute to the construction of a genealogy that links artistic and social sensibilities through the study of its ca(r)nnibal and transplatinian characteristics. Es posible leer en Latinoamérica una profusión de textos atravesados por el elemento afro-indo-americano que a su vez dialoga con el tono particular de lo que Severo Sarduy denominara como neobarroco. Desde las obras de Lezama Lima y Alejo Carpentier, hasta la poética de Osvaldo Lamborghini o la prosa de Washington Cucurto, pareciera haberse optado por una estética irreverentemente antioccidental que insta a leer la cultura a contrapelo. Con una marcada influencia entre la región caribeña y la platense indistintamente, encontramos nuevas fugas para resignificar aquello que Néstor Perlongher denominó como <<neobarroso>>.A partir de aquí, el presente trabajo se propone analizar cómo tal neologismo no sería meramente aplicable a la literatura, sino más bien la marca de una <<sensibilidad>> histórica. Para ello se buscan los puntos de contacto entre el estudio de la historia afro-americana y los textos literarios de Cucurto, con la intención de observar atentamente los rastros de lo que se podría leer como una nueva <<deriva caribeña>> y su respectivo vínculo con el Plata.Pretendemos ofrecer aquí un modesto aporte para la construcción de una genealogía posible que ligue esa <<sensibilidad>> artística y social, a través del estudio de su carácter ca(r)nivalesco y transplatino. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22858 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22858/22458 https://revistas.unc.edu.ar/index.php/recial/article/view/22858/html Derechos de autor 2018 Recial |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Afro-america Baroque colonialism Cucurto literature Afroamérica Barroco colonialismo Cucurto literatura |
| spellingShingle |
Afro-america Baroque colonialism Cucurto literature Afroamérica Barroco colonialismo Cucurto literatura Lanza Lopez, Mariano The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| topic_facet |
Afro-america Baroque colonialism Cucurto literature Afroamérica Barroco colonialismo Cucurto literatura |
| author |
Lanza Lopez, Mariano |
| author_facet |
Lanza Lopez, Mariano |
| author_sort |
Lanza Lopez, Mariano |
| title |
The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| title_short |
The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| title_full |
The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| title_fullStr |
The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| title_full_unstemmed |
The mud not only brought the Baroque: an african-american fold between the Caribbean and the River of Silver |
| title_sort |
mud not only brought the baroque: an african-american fold between the caribbean and the river of silver |
| description |
In Latin America it is possible to encounter a profusion of texts related to Afro-Indo-American elements that dialogue with the particular sense of what Severo Sarduy called “the neo-baroque”. Lezama Lima’s and Alejo Carpentiers’ work, along with the poetry of Osvaldo Lamborghini, and the prose of Washington Cucurto, seemed to have opted for an irreverently anti-Occidentalist aesthetic that urges reading culture against to the established. With a marked influence from the Caribbean and the region of the Rio de la Plata indistinctly, we found new leaks that re-signify what Néstor Perlongher denominated as <<neobarroso>>.This article analyzes how this neologism is not only applicable to literature, but also as the mark of a historical sensitivity. In order to accomplish this, we trace the linking points between the Afrio-american history and the literary work of Cucurto. As a result, we have find the traces of a new <<Caribbean drift>> linked with the Rio de la Plata.This way, we contribute to the construction of a genealogy that links artistic and social sensibilities through the study of its ca(r)nnibal and transplatinian characteristics. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/22858 |
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