The baroque opacity of Campaign Diary by José Martí

The article proposes to investigate the erased trace of "the baroque" in Cuban literature, mainly in two texts, Antología de la literatura cubana by José Lezama and Lo cubano en la poesía of Cintio Vitier, with the purpose of warning those strokes by under the critical operations that ofte...

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Autor principal: Calomarde, Nancy
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22856
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spelling I10-R10-article-228562018-12-20T12:58:28Z The baroque opacity of Campaign Diary by José Martí La barroca opacidad del Diario de campaña de José Martí Calomarde, Nancy Barroco canon diario fragmentarismo sensorium Barroque canon diary fragmentation sensorium The article proposes to investigate the erased trace of "the baroque" in Cuban literature, mainly in two texts, Antología de la literatura cubana by José Lezama and Lo cubano en la poesía of Cintio Vitier, with the purpose of warning those strokes by under the critical operations that often tried to make them invisible. In a second moment, the work focuses on the writing of José Martí. Through the reading of the Diario de campaña, we try to revise that the mark of that tradition taking into account certain textual elements that make it an "opaque" text among those that stand out fragmentation, sensorium and hypertelia. El artículo se propone indagar la huella borrada de “lo barroco” en la literatura cubana haciendo pie principalmente en dos textos, Antología de la literatura cubana de José Lezama y Lo cubano en la poesía de Cintio Vitier, con el propósito de advertir esos trazos por debajo de las operaciones críticas que muchas veces procuraron invisibilizarlos. En un segundo momento, el trabajo se centra en la escritura de José Martí. A través de la lectura del Diario de campaña, se intenta revisar esa la marca de esa tradición atendiendo a ciertos elementos textuales que lo configuran como un texto “opaco” entre los que sobresalen el fragmentarismo, elsensorium y la hipertelia. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22856 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22856/22456 https://revistas.unc.edu.ar/index.php/recial/article/view/22856/html Derechos de autor 2018 Recial
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Barroco
canon
diario
fragmentarismo
sensorium
Barroque
canon
diary
fragmentation
sensorium
spellingShingle Barroco
canon
diario
fragmentarismo
sensorium
Barroque
canon
diary
fragmentation
sensorium
Calomarde, Nancy
The baroque opacity of Campaign Diary by José Martí
topic_facet Barroco
canon
diario
fragmentarismo
sensorium
Barroque
canon
diary
fragmentation
sensorium
author Calomarde, Nancy
author_facet Calomarde, Nancy
author_sort Calomarde, Nancy
title The baroque opacity of Campaign Diary by José Martí
title_short The baroque opacity of Campaign Diary by José Martí
title_full The baroque opacity of Campaign Diary by José Martí
title_fullStr The baroque opacity of Campaign Diary by José Martí
title_full_unstemmed The baroque opacity of Campaign Diary by José Martí
title_sort baroque opacity of campaign diary by josé martí
description The article proposes to investigate the erased trace of "the baroque" in Cuban literature, mainly in two texts, Antología de la literatura cubana by José Lezama and Lo cubano en la poesía of Cintio Vitier, with the purpose of warning those strokes by under the critical operations that often tried to make them invisible. In a second moment, the work focuses on the writing of José Martí. Through the reading of the Diario de campaña, we try to revise that the mark of that tradition taking into account certain textual elements that make it an "opaque" text among those that stand out fragmentation, sensorium and hypertelia.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22856
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first_indexed 2022-08-20T01:13:20Z
last_indexed 2022-08-20T01:13:20Z
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