Secrets of a Soul
After having presented the circumstances of the shooting of “Mysteries of the soul” by Pabst, the author explains the hostile attitude of Freud towards this movie which is actually quite well done. Whatever the absence of interest or reservations Freud might have had for the most advanced forms of a...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22759 |
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I10-R10-article-227592019-07-31T12:45:37Z Secrets of a Soul Metapsicología freudiana, acto cinematográfico Douville, Olivier Cine mudo Historia del Psicoanálisis Metapsicología Narración Trauma Silent cinema History of psychoanalysis Metapsychology Narration Trauma After having presented the circumstances of the shooting of “Mysteries of the soul” by Pabst, the author explains the hostile attitude of Freud towards this movie which is actually quite well done. Whatever the absence of interest or reservations Freud might have had for the most advanced forms of art of his time, his theory on the unconscious processus could fit quite perfectly to describe what the cinema invents image wise. Where are we today? In what way do the movies carry the traces of the end of the great collective fictions and violence in history? Psychoanalysis, semiotics and motion science could join to treat movies not only as the narrative art, but also as an art which will articulate in its grammar, inflicted wounds to the common imagination and the ability to dream. Después de haber presentado las circunstancias del rodaje de la película Misterios de un alma de Pabst, el autor explica la actitud hostil de Freud respecto a esta película que, sin embargo, tuvo tanto éxito. Más allá de las reservas o el desinterés que mostraba Freud hacia las formas más avanzadas del arte de su tiempo, su teoría de los procesos psíquicos puede ser muy conveniente para describir lo que el cine trae de nuevo a la situación de la imagen. ¿Qué pasa hoy con esto? ¿Cómo el cine lleva la marca del fin de las grandes narraciones y de las violencias de la historia? Psicoanálisis, semiología y ciencia del movimiento pueden unirse para hablar del cine, no sólo como un arte narrativo sino también como un arte que va a representar en su propia gramática las heridas infligidas a lo imaginario colectivo y a la capacidad de soñar. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22759 Ética y Cine Journal; Vol. 8 Núm. 2 (2018): Cine y Psicoanálisis: Memorias y luchas; 53-55 2250-5415 2250-5660 10.31056/2250.5415.v8.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22759/23051 Derechos de autor 2018 Ética&Cine Journal |
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Universidad Nacional de Córdoba |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine mudo Historia del Psicoanálisis Metapsicología Narración Trauma Silent cinema History of psychoanalysis Metapsychology Narration Trauma |
| spellingShingle |
Cine mudo Historia del Psicoanálisis Metapsicología Narración Trauma Silent cinema History of psychoanalysis Metapsychology Narration Trauma Douville, Olivier Secrets of a Soul |
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Cine mudo Historia del Psicoanálisis Metapsicología Narración Trauma Silent cinema History of psychoanalysis Metapsychology Narration Trauma |
| author |
Douville, Olivier |
| author_facet |
Douville, Olivier |
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Douville, Olivier |
| title |
Secrets of a Soul |
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Secrets of a Soul |
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Secrets of a Soul |
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Secrets of a Soul |
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Secrets of a Soul |
| title_sort |
secrets of a soul |
| description |
After having presented the circumstances of the shooting of “Mysteries of the soul” by Pabst, the author explains the hostile attitude of Freud towards this movie which is actually quite well done. Whatever the absence of interest or reservations Freud might have had for the most advanced forms of art of his time, his theory on the unconscious processus could fit quite perfectly to describe what the cinema invents image wise. Where are we today? In what way do the movies carry the traces of the end of the great collective fictions and violence in history? Psychoanalysis, semiotics and motion science could join to treat movies not only as the narrative art, but also as an art which will articulate in its grammar, inflicted wounds to the common imagination and the ability to dream. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22759 |
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AT douvilleolivier secretsofasoul AT douvilleolivier metapsicologiafreudianaactocinematografico |
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2022-08-20T01:04:40Z |
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2022-08-20T01:04:40Z |
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