The eye of the camera and the rhetoric of the image

The article is based on an analytic clinical of adolescents mobilizing in film sessions. Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates...

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Autor principal: Bonnet, Christian
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754
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spelling I10-R10-article-227542020-02-05T18:47:50Z The eye of the camera and the rhetoric of the image El ojo de la cámara y la retórica de la imágen Bonnet, Christian Memoria Retórica Ética Análisis estructural Mirada a la cámara Mirada a través de la cámara Memory Rhetoric Ethics Structural Analysis Looking at the camera Looking by the camera The article is based on an analytic clinical of adolescents mobilizing in film sessions. Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates and Arasse) is articulated with the figuration to propose a classical connection in the structuralist field (Barthes, Foucault) between speech and cinema. The author proposes a specific articulation between rhetoric, aesthetics and political engagement in the cinema. The resources of the structural analysis of the narratives lead to propose a model of the narrative formulas of the theme of the struggles. Finally a singular opening is proposed by mobilizing the expression of the eye to the camera and linking it to the concept of film analysis of the look at the camera (Vernet) to propose the design of the look by the camera. This one would be an original modality, specific of the adolescent processes, as the adolescent exposes himself to the image which “looks at him” and especially the article indicates that: This look by the camera is tied to the transfer. El artículo se basa en una clínica analítica con adolescentes que traen películas a las sesiones. Luego, se toman los temas de la memoria y del recuerdo en sus aspectos freudianos clásicos; tanto como los lazos y las distancias que existen entre Freud, el cine y el psicoanálisis. La retórica (en el sentido de Yates y de Arasse) está articulada con la figuración para proponer así una aproximación clásica en el campo estructuralista (Barthes, Foucault) entre discurso y cine. El autor propone entonces una articulación específica entre retórica, estética y compromiso político en el cine. Los recursos del análisis estructural de los relatos conducen a proponer un modelo de las fórmulas narrativas del tema de las luchas. Finalmente, se propone una apertura al evocar la expresión de ojo de la cámara y ligándola al concepto de análisis fílmico de la mirada a la cámara (Vernet) para proponer en fin la concepción de mirada a través de la cámara. Esta sería una modalidad original, específica de los procesos adolescentes, dado que el adolescente se expone a la imagen que “lo mira” y, fundamentalmente, el artículo indica que: Esta mirada a través de la cámara está anudada a la transferencia. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754 Ética y Cine Journal; Vol. 8 Núm. 2 (2018): Cine y Psicoanálisis: Memorias y luchas; 9-17 2250-5415 2250-5660 10.31056/2250.5415.v8.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754/23046 Derechos de autor 2018 Ética&Cine Journal
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
spellingShingle Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
Bonnet, Christian
The eye of the camera and the rhetoric of the image
topic_facet Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
author Bonnet, Christian
author_facet Bonnet, Christian
author_sort Bonnet, Christian
title The eye of the camera and the rhetoric of the image
title_short The eye of the camera and the rhetoric of the image
title_full The eye of the camera and the rhetoric of the image
title_fullStr The eye of the camera and the rhetoric of the image
title_full_unstemmed The eye of the camera and the rhetoric of the image
title_sort eye of the camera and the rhetoric of the image
description The article is based on an analytic clinical of adolescents mobilizing in film sessions. Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates and Arasse) is articulated with the figuration to propose a classical connection in the structuralist field (Barthes, Foucault) between speech and cinema. The author proposes a specific articulation between rhetoric, aesthetics and political engagement in the cinema. The resources of the structural analysis of the narratives lead to propose a model of the narrative formulas of the theme of the struggles. Finally a singular opening is proposed by mobilizing the expression of the eye to the camera and linking it to the concept of film analysis of the look at the camera (Vernet) to propose the design of the look by the camera. This one would be an original modality, specific of the adolescent processes, as the adolescent exposes himself to the image which “looks at him” and especially the article indicates that: This look by the camera is tied to the transfer.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754
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