WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE

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Assuming 1968 as a turning point that anticipates the hardening of the cultural policy of the Cuban revolution, this article has two aims. On the one hand, to reconstruct the social conditions of production of symbolic practices between 1968-1971. These conditions were basically the result of the no...

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Autor principal: Maccioni, Laura
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
Cuban Revolution
Intellectuals
Literature
Virgilio Piñera
Reinaldo Arenas.
Revolución Cubana
intelectuales
Literatura
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/21325
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-21325
record_format ojs
spelling I10-R10-article-213252018-12-28T20:25:21Z WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE DE CUANDO EL ROJO SE FUE VOLVIENDO GRIS: REVOLUCIÓN CUBANA, INTELECTUALES Y LITERATURA Maccioni, Laura Cuban Revolution Intellectuals Literature Virgilio Piñera Reinaldo Arenas. Revolución Cubana intelectuales Literatura Virgilio Piñera Reinaldo Arenas. Assuming 1968 as a turning point that anticipates the hardening of the cultural policy of the Cuban revolution, this article has two aims. On the one hand, to reconstruct the social conditions of production of symbolic practices between 1968-1971. These conditions were basically the result of the normative frameworks dictated by the cultural institutions (the Union of Cuban Writers and Artists, the declarations emanating from the Congresses of 1968 and 1971) as well as from the practices of the state officials of these institutions (for example, of their way of understanding which works deserved to be awarded prizes or expelled from the literate city). On the other hand, we are interested in seeing how these conditions regulating symbolic production were challenged by and in two literary works hidden by their authors in which the unspeakable is said. These texts are Una caja de zapatos vacía (1968), by Virgilio Piñera, and El central (fundación) (1970), by Reinaldo Arenas. From the methodological point of view, the analysis is based on the sociology of culture and literary criticism. Tomando 1968 como punto de inflexión que anticipa el endurecimiento creciente de la política cultural de la Revolución Cubana, el artículo se propone dos objetivos. Por un lado, reconstruir las condiciones sociales de producción de las prácticas simbólicas entre 1968 y 1971. Dichas condiciones resultaron, fundamentalmente, de los marcos normativos dictados por las instituciones culturales (la Unión de Escritores y Artistas Cubanos, las declaraciones emanadas de los congresos de 1968 y 1971) tanto como de las propias prácticas de los funcionarios de esas instituciones (por ejemplo, de su modo de entender qué obras merecían ser premiadas o expulsadas de la ciudad letrada). Por otro, ver de qué manera estas condiciones reguladoras de la producción simbólica fueron desafiadas por y en dos obras ocultadas por sus autores que trabajan en torno a lo indecible: Una caja de zapatos vacía (1968), de Virgilio Piñera, y El central (fundación) (1970), de Reinaldo Arenas. Desde el punto de vista metodológico, el análisis se funda en la sociología de la cultura y en la crítica literaria. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos revisados por pares application/pdf https://revistas.unc.edu.ar/index.php/astrolabio/article/view/21325 Astrolabio; No. 21 (2018): 68/69, PUNTO DE INFLEXIÓN; 80-104 Astrolabio; Núm. 21 (2018): 68/69, PUNTO DE INFLEXIÓN; 80-104 Astrolabio; n. 21 (2018): 68/69, PUNTO DE INFLEXIÓN; 80-104 1668-7515 10.55441/1668.7515.n21 spa https://revistas.unc.edu.ar/index.php/astrolabio/article/view/21325/22545
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cuban Revolution
Intellectuals
Literature
Virgilio Piñera
Reinaldo Arenas.
Revolución Cubana
intelectuales
Literatura
Virgilio Piñera
Reinaldo Arenas.
spellingShingle Cuban Revolution
Intellectuals
Literature
Virgilio Piñera
Reinaldo Arenas.
Revolución Cubana
intelectuales
Literatura
Virgilio Piñera
Reinaldo Arenas.
Maccioni, Laura
WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
topic_facet Cuban Revolution
Intellectuals
Literature
Virgilio Piñera
Reinaldo Arenas.
Revolución Cubana
intelectuales
Literatura
Virgilio Piñera
Reinaldo Arenas.
author Maccioni, Laura
author_facet Maccioni, Laura
author_sort Maccioni, Laura
title WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
title_short WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
title_full WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
title_fullStr WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
title_full_unstemmed WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE
title_sort when red became grey: cuban revolution, intellectuals and literature
description Assuming 1968 as a turning point that anticipates the hardening of the cultural policy of the Cuban revolution, this article has two aims. On the one hand, to reconstruct the social conditions of production of symbolic practices between 1968-1971. These conditions were basically the result of the normative frameworks dictated by the cultural institutions (the Union of Cuban Writers and Artists, the declarations emanating from the Congresses of 1968 and 1971) as well as from the practices of the state officials of these institutions (for example, of their way of understanding which works deserved to be awarded prizes or expelled from the literate city). On the other hand, we are interested in seeing how these conditions regulating symbolic production were challenged by and in two literary works hidden by their authors in which the unspeakable is said. These texts are Una caja de zapatos vacía (1968), by Virgilio Piñera, and El central (fundación) (1970), by Reinaldo Arenas. From the methodological point of view, the analysis is based on the sociology of culture and literary criticism.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/21325
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first_indexed 2022-08-20T00:48:41Z
last_indexed 2022-08-20T00:48:41Z
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