Passion for the narration: interview with Sergio Schmucler

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Córdoba has produced few filmmakers as prolific as Sergio Schmucler who, throughout his career, has tackled different genres in almost all forms of production: from pure fiction with La Herencia (2008) and La sombra azul (2012), to collectively produced documentaries such as Guachos de la calle: Mem...

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Autores principales: Klimovsky, Pedro Alberto, Iparraguirre, Martín
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018
Materias:
Cine de Córdoba
Sergio Schmucler
Entrevista
Cinema of Cordoba
Interview
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/20898
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-20898
record_format ojs
spelling I10-R10-article-208982020-11-01T03:56:09Z Passion for the narration: interview with Sergio Schmucler Pasión por la narración: entrevista a Sergio Schmucler Klimovsky, Pedro Alberto Iparraguirre, Martín Cine de Córdoba Sergio Schmucler Entrevista Cinema of Cordoba Interview Sergio Schmucler Córdoba has produced few filmmakers as prolific as Sergio Schmucler who, throughout his career, has tackled different genres in almost all forms of production: from pure fiction with La Herencia (2008) and La sombra azul (2012), to collectively produced documentaries such as Guachos de la calle: Memorias del desarraigo (2015) or self-produced as Canción de Mariano (2007), always with an explicit political commitment as a common brand. It could be said that Schmucler's cinema participates in this somewhat weak but quickly identifiable category of political cinema, although without making it a banner of party militancy or a commercial sales strategy. In the following interview, the director discusses his own history with cinema and his working methods.  Córdoba ha dado pocos realizadores tan prolíficos como Sergio Schmucler quien, a lo largo de su carrera, ha abordado distintos géneros en casi todas las formas de producción: desde la ficción pura y dura con La Herencia (2008) y La sombra azul (2012), al documental de producción colectiva como Guachos de la calle: Memorias del desarraigo (2015) o de realización autogestionada como Canción de Mariano (2007), siempre con un explícito compromiso político como marca común. Podría decirse que el cine de Schmucler participa de esa categoría un tanto endeble pero rápidamente identificable de cine político, aunque sin hacer de ella una bandera de militancia partidaria ni una estrategia de venta comercial. En la siguiente entrevista, el director analiza su propia historia con el cine y sus métodos de trabajo.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20898 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 111-117 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 111-117 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20898/20498 Derechos de autor 2018 TOMA UNO http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cine de Córdoba
Sergio Schmucler
Entrevista
Cinema of Cordoba
Interview
Sergio Schmucler
spellingShingle Cine de Córdoba
Sergio Schmucler
Entrevista
Cinema of Cordoba
Interview
Sergio Schmucler
Klimovsky, Pedro Alberto
Iparraguirre, Martín
Passion for the narration: interview with Sergio Schmucler
topic_facet Cine de Córdoba
Sergio Schmucler
Entrevista
Cinema of Cordoba
Interview
Sergio Schmucler
author Klimovsky, Pedro Alberto
Iparraguirre, Martín
author_facet Klimovsky, Pedro Alberto
Iparraguirre, Martín
author_sort Klimovsky, Pedro Alberto
title Passion for the narration: interview with Sergio Schmucler
title_short Passion for the narration: interview with Sergio Schmucler
title_full Passion for the narration: interview with Sergio Schmucler
title_fullStr Passion for the narration: interview with Sergio Schmucler
title_full_unstemmed Passion for the narration: interview with Sergio Schmucler
title_sort passion for the narration: interview with sergio schmucler
description Córdoba has produced few filmmakers as prolific as Sergio Schmucler who, throughout his career, has tackled different genres in almost all forms of production: from pure fiction with La Herencia (2008) and La sombra azul (2012), to collectively produced documentaries such as Guachos de la calle: Memorias del desarraigo (2015) or self-produced as Canción de Mariano (2007), always with an explicit political commitment as a common brand. It could be said that Schmucler's cinema participates in this somewhat weak but quickly identifiable category of political cinema, although without making it a banner of party militancy or a commercial sales strategy. In the following interview, the director discusses his own history with cinema and his working methods. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2018
url https://revistas.unc.edu.ar/index.php/toma1/article/view/20898
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AT klimovskypedroalberto pasionporlanarracionentrevistaasergioschmucler
AT iparraguirremartin pasionporlanarracionentrevistaasergioschmucler
first_indexed 2022-08-20T01:14:58Z
last_indexed 2022-08-20T01:14:58Z
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