Martin Kohan and the Metalliterature of the Revolution

Our article approaches the reading/writing ideas in the Martin Kohan novel, Museo de la Revolución. In the mentioned novel, the characters that seduce, betray or transgress and are eventually exposed build a link between both, distant and overlapping historical times. The temporary jumps and the fra...

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Autor principal: Feuillet, Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Avanzados 2017
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Acceso en línea:https://revistas.unc.edu.ar/index.php/restudios/article/view/17927
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spelling I10-R10-article-179272019-06-20T18:40:13Z Martin Kohan and the Metalliterature of the Revolution Martín Kohan y la metaliteratura de la revolución Feuillet, Lucía revolución tiempo literatura relaciones sociales revolution time literature social relationships Our article approaches the reading/writing ideas in the Martin Kohan novel, Museo de la Revolución. In the mentioned novel, the characters that seduce, betray or transgress and are eventually exposed build a link between both, distant and overlapping historical times. The temporary jumps and the fragmentary continuity of the revolution are proposed as a method to decipher fiction.  At a time of immediate danger, the voice of the defeated is recovered to avoid the illegitimate appropriation of historical meanings, as well as to configure literature. The concept that subsumes the problems of the narrative, the story and the history is the continuous revolution, as a way of reading the temporal and social organization. Nuestro artículo aborda las ideas de lectura/escritura en la novela Museo de la Revolución, de Martín Kohan. Allí se construye un vínculo entre tiempos históricos distantes y superpuestos a partir de personajes que seducen y traicionan o transgreden y son descubiertos. Los saltos temporales y la continuidad fragmentaria de la revolución proponen un modo de descifrar la ficción. En el instante de peligro se recupera la voz de los vencidos para evitar la apropiación ilegítima de los significados históricos, pero también para configurar lo literario. La revolución permanente es el concepto que subsume los problemas del relato, la historia y la Historia, como un modo de lectura de la organización discursiva, temporal y social. Centro de Estudios Avanzados 2017-09-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://revistas.unc.edu.ar/index.php/restudios/article/view/17927 Estudios digital; Núm. 37 (2017): A cien años de la Revolución Rusa: legados, significados y miradas en clave latinoamericana; 131-147 1852-1568 0328-185X 10.31050/re.v0i37 spa https://revistas.unc.edu.ar/index.php/restudios/article/view/17927/17820 https://revistas.unc.edu.ar/index.php/restudios/article/view/17927/17821 Derechos de autor 2017 Estudios digital
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic revolución
tiempo
literatura
relaciones sociales
revolution
time
literature
social relationships
spellingShingle revolución
tiempo
literatura
relaciones sociales
revolution
time
literature
social relationships
Feuillet, Lucía
Martin Kohan and the Metalliterature of the Revolution
topic_facet revolución
tiempo
literatura
relaciones sociales
revolution
time
literature
social relationships
author Feuillet, Lucía
author_facet Feuillet, Lucía
author_sort Feuillet, Lucía
title Martin Kohan and the Metalliterature of the Revolution
title_short Martin Kohan and the Metalliterature of the Revolution
title_full Martin Kohan and the Metalliterature of the Revolution
title_fullStr Martin Kohan and the Metalliterature of the Revolution
title_full_unstemmed Martin Kohan and the Metalliterature of the Revolution
title_sort martin kohan and the metalliterature of the revolution
description Our article approaches the reading/writing ideas in the Martin Kohan novel, Museo de la Revolución. In the mentioned novel, the characters that seduce, betray or transgress and are eventually exposed build a link between both, distant and overlapping historical times. The temporary jumps and the fragmentary continuity of the revolution are proposed as a method to decipher fiction.  At a time of immediate danger, the voice of the defeated is recovered to avoid the illegitimate appropriation of historical meanings, as well as to configure literature. The concept that subsumes the problems of the narrative, the story and the history is the continuous revolution, as a way of reading the temporal and social organization.
publisher Centro de Estudios Avanzados
publishDate 2017
url https://revistas.unc.edu.ar/index.php/restudios/article/view/17927
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first_indexed 2022-08-20T00:52:11Z
last_indexed 2022-08-20T00:52:11Z
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