ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES

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The new digital technologies go through and transform all social activities in a substantive way and music does not escape this contemporary phenomenon. Recent research on the impact of digital technologies on music, from a social perspective, highlights the appropriation by musicians of these techn...

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Autor principal: Moreno, Federico
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017
Materias:
Industrias culturales
nuevas tecnologías digitales
música
Avellaneda
rock.
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/16827
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-16827
record_format ojs
spelling I10-R10-article-168272017-12-21T15:29:15Z ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES MÚSICOS DE ROCK Y NUEVAS TECNOLOGÍAS DIGITALES. UNA RELACIÓN PARTICULAR EN UN DISTRITO DEL CONURBANO DE BUENOS AIRES Moreno, Federico Industrias culturales nuevas tecnologías digitales música Avellaneda rock. The new digital technologies go through and transform all social activities in a substantive way and music does not escape this contemporary phenomenon. Recent research on the impact of digital technologies on music, from a social perspective, highlights the appropriation by musicians of these technologies and their democratizing effects in terms of access to the production and circulation of works.This article aims to investigate the relationships between new digital technologies and musicians participating in a rock festival in the Avellaneda district, located in the southern suburbs of the City of Buenos Aires, presenting the particularities of this relationship in terms of representations and uses, as well as in dialogue with the revised bibliography.Methodologically, the research adopts a qualitative character based on conducting surveys, interviews and observations during workshops shared with social actors, that interprets them from a critical perspective. This work aims to contribute to the sociological studies of cultural industries and their relation with the new technologies in Argentina, allowing to establish similarities and differences with other recent studies on the subject in Latin America and Spain. Las nuevas tecnologías digitales atraviesan y transforman todas las actividades sociales de manera sustantiva, y la música no escapa a este fenómeno contemporáneo. Las investigaciones recientes sobre el impacto de las tecnologías digitales sobre la música, desde una perspectiva social, resaltan la apropiación por parte de los músicos de esas tecnologías y sus efectos democratizadores en términos de acceso a la producción y circulación de las obras.Este artículo se propone indagar en las relaciones entre nuevas tecnologías digitales y músicos participantes de un festival de rock en el distrito de Avellaneda, ubicado en el conurbano sur de la ciudad de Buenos Aires, y presenta las particularidades de esa relación en términos de representaciones y usos, así como dialoga con la bibliografía revisada.Metodológicamente la investigación adopta un carácter cualitativo basado en la realización de encuestas, entrevistas y observaciones durante talleres compartidos con los actores sociales, que los interpreta desde una mirada crítica. A partir del abordaje de las particularidades locales, este trabajo pretende ser una contribución a los estudios sociológicos de las industrias culturales y su relación con las nuevas tecnologías en Argentina que permita establecer cercanías y diferencias con otros estudios recientes sobre el tema en Latinoamérica y España. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/astrolabio/article/view/16827 Astrolabio; No. 19 (2017): LA EXPERIENCIA DE LOS PÚBLICOS EN AMÉRICA LATINA; 253-279 Astrolabio; Núm. 19 (2017): LA EXPERIENCIA DE LOS PÚBLICOS EN AMÉRICA LATINA; 253-279 Astrolabio; n. 19 (2017): LA EXPERIENCIA DE LOS PÚBLICOS EN AMÉRICA LATINA; 253-279 1668-7515 10.55441/1668.7515.n19 spa https://revistas.unc.edu.ar/index.php/astrolabio/article/view/16827/18864
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Industrias culturales
nuevas tecnologías digitales
música
Avellaneda
rock.
spellingShingle Industrias culturales
nuevas tecnologías digitales
música
Avellaneda
rock.
Moreno, Federico
ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
topic_facet Industrias culturales
nuevas tecnologías digitales
música
Avellaneda
rock.
author Moreno, Federico
author_facet Moreno, Federico
author_sort Moreno, Federico
title ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
title_short ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
title_full ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
title_fullStr ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
title_full_unstemmed ROCK MUSICIANS AND NEW DIGITAL TECHNOLOGIES. A PARTICULAR RELATIONSHIP IN A DISTRICT OF THE CONURBAN OF BUENOS AIRES
title_sort rock musicians and new digital technologies. a particular relationship in a district of the conurban of buenos aires
description The new digital technologies go through and transform all social activities in a substantive way and music does not escape this contemporary phenomenon. Recent research on the impact of digital technologies on music, from a social perspective, highlights the appropriation by musicians of these technologies and their democratizing effects in terms of access to the production and circulation of works.This article aims to investigate the relationships between new digital technologies and musicians participating in a rock festival in the Avellaneda district, located in the southern suburbs of the City of Buenos Aires, presenting the particularities of this relationship in terms of representations and uses, as well as in dialogue with the revised bibliography.Methodologically, the research adopts a qualitative character based on conducting surveys, interviews and observations during workshops shared with social actors, that interprets them from a critical perspective. This work aims to contribute to the sociological studies of cultural industries and their relation with the new technologies in Argentina, allowing to establish similarities and differences with other recent studies on the subject in Latin America and Spain.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2017
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/16827
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first_indexed 2022-08-20T00:48:33Z
last_indexed 2022-08-20T00:48:33Z
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