Curatorial speeches and representation of the past in Latin America museums
The lack of critical reflection on the discourses and representations that museums performed of history, coupled with the underestimation of the museum’s knowledge, contributed to the understanding of the past, in some cases led to the absence of a problematization and curatorial analysis in Latin A...
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Facultad de Filosofía y Humanidades. Museo de Antropología
2015
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I10-R10-article-130522022-08-24T16:10:55Z Curatorial speeches and representation of the past in Latin America museums Discursos curatoriales y representación del pasado en museos de América Latina Puebla Antequera, Maria Florencia Latin America museums representation of the past curatorial speeches museos latinoamericanos representación del pasado discursos curatoriales The lack of critical reflection on the discourses and representations that museums performed of history, coupled with the underestimation of the museum’s knowledge, contributed to the understanding of the past, in some cases led to the absence of a problematization and curatorial analysis in Latin America (LA). In this context, this work has as goal think about curatorial speeches in the past LA representation. To do this, I observed the links between cultural ideology and socio-political context of nineteenth-century in LA and its influence on the curatorial discourse. Then, in contemporary times, I took in consideration the most important museological discussions in the region (Mesa Redonda de Santiago de Chile, Declaración de Oaxtepec and Declaración de Caracas), which they were placed in an LA autonomous context. In each of them, I analyzed the influence they had in the production of museological speeches. Finally, following the Declaración de Buenos Aires, I proposed some guidelines, that solve problems from the past in musealization, as heterogeneous and inclusive vision of the history, society and heritage. La inexistencia en muchas ocasiones de reflexión crítica sobre los discursos y representaciones que los museos realizaban de la historia, sumado a la subestimación de las herramientas que el conocimiento museológico aportaba al entendimiento del pasado, llevó en ciertos casos a la ausencia de una problematización y análisis curatorial en América Latina (AL). Esta situación fue la que impulsó este trabajo, que tuvo como finalidad reflexionar sobre los discursos curatoriales en las representaciones del pasado latinoamericano. Para ello, observé los vínculos entre la ideología cultural y socio-política decimonónica en AL, y su influencia en los discursos curatoriales. Luego, para tiempos contemporáneos, tomé lo que consideré las discusiones museológicas más relevantes de la región (Mesa Redonda de Santiago de Chile, Declaración de Oaxtepec y Declaración de Caracas), las cuales situé en un contexto de debate autónomo y propio de AL. En cada una de ellas, me delimité a analizar la influencia que tuvieron en la producción de discursos museológicos. Finalmente, siguiendo la Declaración de Buenos Aires, propuse algunos lineamientos que solventen parte de las carencias acontecidas en la musealización del pasado regional, como son una visión heterogénea e inclusiva de la historia, la sociedad y el patrimonio. Facultad de Filosofía y Humanidades. Museo de Antropología 2015-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares museología Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/13052 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 2; 239-250 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 2; 239-250 Revista del Museo de Antropología; Vol 8 (2015) NÚMERO 2; 239-250 1852-4826 1852-060X 10.31048/1852.4826.v8.n2 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/13052/13471 Derechos de autor 2015 Maria Florencia Puebla Antequera |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Latin America museums representation of the past curatorial speeches museos latinoamericanos representación del pasado discursos curatoriales |
spellingShingle |
Latin America museums representation of the past curatorial speeches museos latinoamericanos representación del pasado discursos curatoriales Puebla Antequera, Maria Florencia Curatorial speeches and representation of the past in Latin America museums |
topic_facet |
Latin America museums representation of the past curatorial speeches museos latinoamericanos representación del pasado discursos curatoriales |
author |
Puebla Antequera, Maria Florencia |
author_facet |
Puebla Antequera, Maria Florencia |
author_sort |
Puebla Antequera, Maria Florencia |
title |
Curatorial speeches and representation of the past in Latin America museums |
title_short |
Curatorial speeches and representation of the past in Latin America museums |
title_full |
Curatorial speeches and representation of the past in Latin America museums |
title_fullStr |
Curatorial speeches and representation of the past in Latin America museums |
title_full_unstemmed |
Curatorial speeches and representation of the past in Latin America museums |
title_sort |
curatorial speeches and representation of the past in latin america museums |
description |
The lack of critical reflection on the discourses and representations that museums performed of history, coupled with the underestimation of the museum’s knowledge, contributed to the understanding of the past, in some cases led to the absence of a problematization and curatorial analysis in Latin America (LA). In this context, this work has as goal think about curatorial speeches in the past LA representation. To do this, I observed the links between cultural ideology and socio-political context of nineteenth-century in LA and its influence on the curatorial discourse. Then, in contemporary times, I took in consideration the most important museological discussions in the region (Mesa Redonda de Santiago de Chile, Declaración de Oaxtepec and Declaración de Caracas), which they were placed in an LA autonomous context. In each of them, I analyzed the influence they had in the production of museological speeches. Finally, following the Declaración de Buenos Aires, I proposed some guidelines, that solve problems from the past in musealization, as heterogeneous and inclusive vision of the history, society and heritage. |
publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
publishDate |
2015 |
url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/13052 |
work_keys_str_mv |
AT pueblaantequeramariaflorencia curatorialspeechesandrepresentationofthepastinlatinamericamuseums AT pueblaantequeramariaflorencia discursoscuratorialesyrepresentaciondelpasadoenmuseosdeamericalatina |
first_indexed |
2022-08-20T01:11:30Z |
last_indexed |
2022-10-04T12:38:58Z |
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