Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment

Analytical characterization of reference carbon-based black pigments has been performed using Fourier transform infrared spectroscopy (FTIR) with attenuated total reflectance (ATR) and scanning electron microscopy (SEM) coupled to an energy-dispersive X-ray spectrometer (EDS). The unambiguous identi...

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Autor principal: Tomasini, E.
Otros Autores: Siracusano, G., Maier, M.S
Formato: Capítulo de libro
Lenguaje:Inglés
Publicado: 2012
Acceso en línea:Registro en Scopus
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040 |a Scopus  |b spa  |c AR-BaUEN  |d AR-BaUEN 
030 |a MICJA 
100 1 |a Tomasini, E. 
245 1 0 |a Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment 
260 |c 2012 
270 1 0 |m Maier, M.S.; UMYMFOR and Departamento de Química Orgánica, Facultad de Ciencias Exactas y Naturales, Universidad de Buenos Aires, Ciudad Universitaria, Pabellón 2, (C1428EGA), Ciudad Autónoma de Buenos Aires, Argentina; email: maier@qo.fcen.uba.ar 
506 |2 openaire  |e Política editorial 
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520 3 |a Analytical characterization of reference carbon-based black pigments has been performed using Fourier transform infrared spectroscopy (FTIR) with attenuated total reflectance (ATR) and scanning electron microscopy (SEM) coupled to an energy-dispersive X-ray spectrometer (EDS). The unambiguous identification of these pigments, which are found in paintings, rock art and archeological artifacts, still remains a big challenge due to the variety of sources and manufacturing processes used in their preparation. The analytical results achieved in this study allowed us to discriminate between carbon-based pigments from different sources and detect adulterations. The methodological approach was successfully applied to the identification of vegetable charcoal and bone black in two colonial paintings dated from the eighteenth century. Conclusions regarding the pictorial techniques were drawn from FTIR data. © 2011 Elsevier B.V.  |l eng 
536 |a Detalles de la financiación: Agencia Nacional de Promoción Científica y Tecnológica 
536 |a Detalles de la financiación: Consejo Nacional de Investigaciones Científicas y Técnicas 
536 |a Detalles de la financiación: We thank the following for financial support: Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) and Agencia Nacional de Promoción Científica y Tecnológica (ANPCyT) ; for painting samples: Carlos Rúa (Centro Nacional de Restauración, La Paz, Bolivia); and for preliminary analysis: Blanca Gómez and Sara D. Parera. E. T. thanks CONICET for a postdoctoral fellowship. M. S. M. and G. S. are Research Members of CONICET. Appendix A 
593 |a UMYMFOR and Departamento de Química Orgánica, Facultad de Ciencias Exactas y Naturales, Universidad de Buenos Aires, Ciudad Universitaria, Pabellón 2, (1428) Ciudad Autónoma de Buenos Aires, Argentina 
593 |a CONICET, Universidad Nacional de San Martín, B. Quinquela Martín 1784, (1296) Ciudad Autónoma de Buenos Aires, Argentina 
690 1 0 |a ATR 
690 1 0 |a CARBON BLACK 
690 1 0 |a CARBON-BASED PIGMENTS 
690 1 0 |a COLONIAL ART 
690 1 0 |a FTIR 
690 1 0 |a SEM-EDS 
700 1 |a Siracusano, G. 
700 1 |a Maier, M.S. 
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