Raman mapping analysis of pigments from Proas Iluminadas by Quinquela Martín

The painting Proas Iluminadas (Illuminated Bows) by Benito Quinquela Martín is studied by Raman spectroscopy in order to analyse the technique and the pigments employed by the artist: ultramarine blue, carbon black, cadmium-sulphure based compounds for the hue of yellow, orange and red; also zinc wh...

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Autor principal: Halac, E.B
Otros Autores: Reinoso, M., Luda, Marcelo Alejandro, Marte, F.
Formato: Capítulo de libro
Lenguaje:Inglés
Publicado: Elsevier Masson SAS 2012
Acceso en línea:Registro en Scopus
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100 1 |a Halac, E.B. 
245 1 0 |a Raman mapping analysis of pigments from Proas Iluminadas by Quinquela Martín 
260 |b Elsevier Masson SAS  |c 2012 
270 1 0 |m Halac, E.B.; Gerencia de Investigación y Aplicaciones, Comisión Nacional de Energía Atómica, Av. General Paz 1499, (B1650KNA) Buenos Aires, Argentina; email: halac@cnea.gov.ar 
504 |a Vandenabeele, P., Edwards, H.G.M., Moens, L., A decade of Raman spectroscopy in art and archeology (2007) Chem. Rev., 107, pp. 675-686 
504 |a Magistro, F., Majolino, D., Migliardo, P., Ponterio, R., Rodriquez, M.T., Confocal Raman spectroscopic study of painted medieval manuscripts (2001) J. Cultur. Herit., 2, pp. 191-198 
504 |a Neff, D., Bellot-Gurlet, L., Dillmann, P., Reguer, S., Legrand, L., Raman imaging of ancient rust scales on archaeological iron artefacts for long-term atmospheric corrosion mechanisms study (2006) J. Raman Spectrosc., 37, pp. 1228-1237 
504 |a Lau, D., Villis, C., Furman, S., Livett, M., Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting (2008) Anal. Chim. Acta, 610, pp. 15-24 
504 |a Ropret, P., Miliani, C., Centeno, S.A., Tavzesa, C., Rosi, F., Advances in Raman mapping of works of art (2010) J. Raman Spectrosc., 41, pp. 1462-1467 
504 |a Historia General del Arte en la Argentina (1999) Academia Nacional de Bellas Artes, 8, p. 430. , Buenos Aires, (ISBN 10 9506120005) 
504 |a Bell, I.M., Clark, R.J.H., Gibbs, P.J., Raman spectroscopic library of natural and synthetic pigments (Pre- 1850 AD) (1997) Spectrochim. Acta Part A, 53, pp. 2159-2179. , http://www.chem.ucl.ac.uk/resources/raman/index.html 
504 |a Burgio, L., Clark, R.J.H., Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001) Spectrochim. Acta Part A, 57, pp. 1491-1521 
504 |a Bouchard, M., Smith, D.C., Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003) Spectrochim. Acta Part A, 59, pp. 2247-2266 
504 |a Mayer, R., (1991) The Artist's handbook of materials and techniques, , Faber & Faber, London, (ISBN 9780571143313) 
504 |a Bomford, D., Kirby, J., Leighton, J., Roy, A., (1990) Art in the Making, Impressionism, , National Gallery Co Ltd, London, (ISBN: 0300050364) 
506 |2 openaire  |e Política editorial 
520 3 |a The painting Proas Iluminadas (Illuminated Bows) by Benito Quinquela Martín is studied by Raman spectroscopy in order to analyse the technique and the pigments employed by the artist: ultramarine blue, carbon black, cadmium-sulphure based compounds for the hue of yellow, orange and red; also zinc white, barium yellow, massicot yellow and viridian were observed. The importance of using different excitation laser lines in the analysis of mixtures of pigments is highlighted. The Raman mapping analysis of cross section samples shows the way the artist composed the ground layer: a lead white stratum over a calcite one. It also allows distinguishing between a mixture of components and strata superposition, both presenting the same appearance under an optical microscope. This paper provides information about the materials and techniques used in a period of Argentine art not studied before from this point of view. © 2012 Elsevier Masson SAS.  |l eng 
593 |a Gerencia de Investigación y Aplicaciones, Comisión Nacional de Energía Atómica, Av. General Paz 1499, (B1650KNA) Buenos Aires, Argentina 
593 |a Escuela de Ciencia y Tecnología, Universidad Nacional de San Martín. M., De Irigoyen 3100, (B1650) San Martín Bs. As., Argentina 
593 |a Consejo Nacional de Investigaciones, Científicas y Técnicas, Av. Rivadavia 1917, (C1033AAJ) CABA, Argentina 
593 |a Dpto. de Física, Facultad de Ciencias Exactas y Naturales, Universidad de Buenos Aires, Intendente Güiraldes 2160, (C1428EGA) Ciudad Universitaria Pab I, Bs. As., Argentina 
593 |a CEIRCAB-Tarea UNSAM. Buenos Aires, Argentina Benito Quinquela Martín 1784, (C1296ADJ) CABA, Argentina 
690 1 0 |a CANVAS 
690 1 0 |a PIGMENTS IDENTIFICATION 
690 1 0 |a RAMAN MAPPING 
700 1 |a Reinoso, M. 
700 1 |a Luda, Marcelo Alejandro 
700 1 |a Marte, F. 
773 0 |d Elsevier Masson SAS, 2012  |g v. 13  |h pp. 469-473  |k n. 4  |p J. Cult. Heritage  |x 12962074  |t Journal of Cultural Heritage 
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856 4 0 |u https://doi.org/10.1016/j.culher.2012.01.003  |y DOI 
856 4 0 |u https://hdl.handle.net/20.500.12110/paper_12962074_v13_n4_p469_Halac  |y Handle 
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