Challenges in the conservation of the work of León Ferrari
When dealing with contemporary art, conservators have to address not only the material aspects of the artwork but also other highly complex issues. The Argentinian artist Leon Ferrari is a representative example. He created avant-garde art installations but also worked with traditional techniques. H...
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| Formato: | Capítulo de libro |
| Lenguaje: | Inglés |
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Taylor and Francis Ltd.
2016
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| Acceso en línea: | Registro en Scopus DOI Handle Registro en la Biblioteca Digital |
| Aporte de: | Registro referencial: Solicitar el recurso aquí |
| LEADER | 03860caa a22005657a 4500 | ||
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| 003 | AR-BaUEN | ||
| 005 | 20230518205620.0 | ||
| 008 | 190411s2016 xx ||||fo|||| 00| 0 eng|d | ||
| 024 | 7 | |2 scopus |a 2-s2.0-84988391816 | |
| 040 | |a Scopus |b spa |c AR-BaUEN |d AR-BaUEN | ||
| 030 | |a SCONA | ||
| 100 | 1 | |a Baldomá, G. | |
| 245 | 1 | 0 | |a Challenges in the conservation of the work of León Ferrari |
| 260 | |b Taylor and Francis Ltd. |c 2016 | ||
| 270 | 1 | 0 | |m Baldomá, G.; Fundación Augusto y León Ferrari, Arte y Acervo, Pichincha 849 Capital Federal (caba), Argentina; email: gabrielabaldoma@gmail.com |
| 506 | |2 openaire |e Política editorial | ||
| 504 | |a Derrick, M.R., Stulik, D., Landry, J.M., (1999) Infrared Spectroscopy in Conservation Science, , Los Angeles: Getty Conservation Institute | ||
| 504 | |a Giunta, A., El Poder De Las Imágenes. León Ferrari y Los Públicos Del Arte (2011) León Ferrari, pp. 21-32. , Zamorano Ferrari J., Zamorano Ferrari P., (eds), 2011, Bogotá: Museo de Arte Banco de la República | ||
| 504 | |a Learner, T.J.S., (2005) Analysis of Modern Paints, , Los Angeles: Getty Conservation Institute | ||
| 504 | |a Madariaga, J.M., Analytical Chemistry in the Field of Cultural Heritage (2015) Analytical Methods, 7, pp. 4848-4876 | ||
| 504 | |a van Oosten, T., (2011) PUR Facts. Conservation of Polyurethane Foam in Art and Design, , Amsterdam: Amsterdam University Press | ||
| 504 | |a Zamorano Ferrari, J., Zamorano Ferrari, P., (2011) León Ferrari, , Bogotá: Museo de Arte Banco de la República | ||
| 520 | 3 | |a When dealing with contemporary art, conservators have to address not only the material aspects of the artwork but also other highly complex issues. The Argentinian artist Leon Ferrari is a representative example. He created avant-garde art installations but also worked with traditional techniques. His works raise dilemmas over concepts such as authorship, authenticity, legitimacy of art. Some of his artworks only interested him as a means to express his opinions and he was not concerned about alterations in their appearance. Therefore, what should be kept in them is not in an area of certainty for conservators. An essential key for achieving a responsible and respectful conservation result, is to understand the ideology involved in each ‘art piece’ created by Ferrari. © 2016, © The International Institute for Conservation of Historic and Artistic Works 2016. |l eng | |
| 593 | |a Fundación Augusto y León Ferrari, Arte y Acervo, Buenos Aires, Argentina | ||
| 593 | |a UMYMFOR (CONICET-UBA), Buenos Aires, Argentina | ||
| 690 | 1 | 0 | |a COLLAGE |
| 690 | 1 | 0 | |a CONTEMPORARY ART |
| 690 | 1 | 0 | |a DEGRADATION AND CONSERVATION |
| 690 | 1 | 0 | |a LEON FERRARI |
| 690 | 1 | 0 | |a PAPER |
| 690 | 1 | 0 | |a PLASTICS |
| 690 | 1 | 0 | |a CONSERVATION |
| 690 | 1 | 0 | |a PAPER |
| 690 | 1 | 0 | |a PLASTICS |
| 690 | 1 | 0 | |a ART INSTALLATION |
| 690 | 1 | 0 | |a COLLAGE |
| 690 | 1 | 0 | |a CONTEMPORARY ART |
| 690 | 1 | 0 | |a FERRARI |
| 690 | 1 | 0 | |a TRADITIONAL TECHNIQUES |
| 690 | 1 | 0 | |a ENERGY CONSERVATION |
| 700 | 1 | |a Maier, M.S. | |
| 773 | 0 | |d Taylor and Francis Ltd., 2016 |g v. 61 |h pp. 7-11 |p Stud Conserv |x 00393630 |t Studies in Conservation | |
| 856 | 4 | 1 | |u https://www.scopus.com/inward/record.uri?eid=2-s2.0-84988391816&doi=10.1080%2f00393630.2016.1200838&partnerID=40&md5=80e7f6e202194b7853bea824b1bb5861 |y Registro en Scopus |
| 856 | 4 | 0 | |u https://doi.org/10.1080/00393630.2016.1200838 |y DOI |
| 856 | 4 | 0 | |u https://hdl.handle.net/20.500.12110/paper_00393630_v61_n_p7_Baldoma |y Handle |
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