Black looks : race and representation /

"In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship--in particular, the way blackness and black people are experienced in literature, music...

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Detalles Bibliográficos
Autor principal: hooks, bell, 1952-2021
Formato: Libro
Lenguaje:Inglés
Publicado: New York : Routledge, 2015.
Materias:
Aporte de:Registro referencial: Solicitar el recurso aquí
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020 |a 9781138821545  |q (hardback) 
020 |a 1138821543  |q (hardback) 
020 |a 9781138821552  |q (paperback) 
020 |a 1138821551  |q (paperback) 
020 |a 9781315743226  |q (ebook) 
020 |a 1315743221  |q (ebook) 
035 |a (OCoLC)1304261030 
035 |a (OCoLC)on1304261030 
040 |a U@S  |b spa  |c U@S 
043 |a n-us--- 
049 |a U@SA 
050 4 |a E185.86  |b .H66 2015 
100 1 |a hooks, bell,  |d 1952-2021. 
245 1 0 |a Black looks :  |b race and representation /  |c bell hooks. 
260 |a New York :  |b Routledge,  |c 2015. 
300 |a xii, 200 p. ;  |c 22 cm. 
500 |a Editado originalmente: Boston, Mass. : South End Press, 1992. 
504 |a Incluye referencias bibliográficas (p. 195-200). 
505 0 |a Preface to the new edition -- Introduction: Revolutionary attitude -- 1. Loving blackness as political resistance -- 2. Eating the other : desire and resistance -- 3. Revolutionary black women : making ourselves subject -- 4. Selling hot pussy : representations of black female sexuality in the cultural marketplace -- 5. A feminist challenge : must we call every woman sister? -- 6. Reconstructing black masculinity -- 7. The oppositional gaze : black female spectators -- 8. Micheaux's films : celebrating blackness -- 9. Is Paris burning? -- 10. Madonna : plantation mistress or soul sister? -- 11. Representations of whiteness in the black imagination -- 12. Revolutionary "renegades" : native americans, african americans, and black indians. 
520 2 |a "In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship--in particular, the way blackness and black people are experienced in literature, music, television, and especially film--and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: 'The essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert.' As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do." --Descripción del editor. 
650 0 |a African Americans  |x Social conditions  |y 1975- 
650 0 |a African Americans in popular culture. 
650 0 |a African American women. 
650 0 |a Sex role  |z United States. 
650 0 |a African Americans  |x Race identity. 
650 0 |a White people  |x Race identity  |z United States. 
650 0 |a Racism  |z United States. 
650 7 |a Afroestadounidenses  |x Condiciones sociales  |y 1975-.  |2 UDESA 
650 7 |a Afroestadounidenses en la cultura popular.  |2 UDESA 
650 7 |a Mujeres afroestadounidenses.  |2 UDESA 
650 7 |a Rol sexual  |z Estados Unidos.  |2 UDESA 
650 7 |a Afroestadounidenses  |x Identidad racial.  |2 UDESA 
650 7 |a Blancos  |x Identidad racial  |z Estados Unidos.  |2 UDESA 
650 7 |a Racismo  |z Estados Unidos.  |2 UDESA 
651 0 |a United States  |x Race relations. 
651 7 |a Estados Unidos  |x Relaciones raciales.  |2 UDESA