Robert Smithson, the collected writings /
"Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson's significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow. In addition to a new introduc...
Guardado en:
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Libro |
| Lenguaje: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
c1996.
|
| Colección: | Documents of 20th century art
|
| Materias: | |
| Aporte de: | Registro referencial: Solicitar el recurso aquí |
| LEADER | 06399cam a2200493 a 4500 | ||
|---|---|---|---|
| 001 | 99843929704151 | ||
| 005 | 20241030105258.0 | ||
| 008 | 950710s1996 cauaceh b 001 0 eng | ||
| 010 | |a 95034773 | ||
| 020 | |a 0520203852 |q (pbk.) | ||
| 020 | |a 9780520203853 |q (pbk.) | ||
| 035 | |a (OCoLC)32853450 | ||
| 035 | |a (OCoLC)ocm32853450 | ||
| 040 | |a DLC |c DLC |d NLGGC |d YDXCP |d OCLCO |d OCL |d CZL |d U@S | ||
| 049 | |a U@SA | ||
| 050 | 0 | 0 | |a N7445.2.S62 |b A35 1996 |
| 082 | 0 | 0 | |a 700 |2 20 |
| 100 | 1 | |a Smithson, Robert. | |
| 240 | 1 | 0 | |a Obras. |k Selecciones. |f 1996 |
| 245 | 1 | 0 | |a Robert Smithson, the collected writings / |c edited by Jack Flam. |
| 246 | 3 | 0 | |a Collected writings |
| 260 | |a Berkeley, CA : |b University of California Press, |c c1996. | ||
| 300 | |a xxviii, 389 p. : |b il., facsíms., mapas, planos, retrs. ; |c 26 cm. | ||
| 490 | 1 | |a The documents of twentieth century art | |
| 500 | |a Edición revisada y expandida de: The writings of Robert Smithson. New York : New York University Press, 1979. | ||
| 504 | |a "Bibliography of writings by Robert Smithson": p. 384-386. | ||
| 504 | |a Incluye referencias bibliográficas e índice. | ||
| 505 | 0 | |a Introduction : Reading Robert Smithson -- Published writing : Quick Millions (1965) -- Donald Judd (1965) -- The Crystal Land (1966) -- Entropy and the New Monuments (1966) -- The X Factor in Art (1966) -- The Domain of the Great Bear (1966) -- Quasi-Infinities and the Waning of Space (1966) -- The Cryosphere (1966) -- Interpolation of the Enantiomorphic Chambers (1966) -- Some Void Thoughts on Museums (1967) -- What is a Museum? A Dialogue Between Allan Kaprow and Robert Smithson (1967) -- Towards the Development of an Air Terminal Site (1967) -- Language to be Looked at and/or Things to be Read (1967) -- Ultramoderne (1967) -- Letter to the Editor (1967) -- A Tour of the Monuments of Passaic, New Jersey (1967) -- Strata: A Geophotographic Fiction (1970) -- A Museum of Language in the Vicinity of Art (1968) -- A Thing is a Hole in a Thing It is Not (1968) -- The Establishment (1968) -- A Sedimentation of the Mind: Earth Projects (1968) -- Minus Twelve (1968) -- Aerial Art (1969) -- Incidents of mirror-travel in the Yucatan (1969) -- The artist and politics : a symposium (1970) -- Gyrostasis (1970) -- A cinematic atopia (1971) -- The spiral jetty (1972) -- Cultural confinement (1972) -- Frederick Law Olmsted and the dialectical landscape (1973). | |
| 505 | 0 | |a Interviews : Smithson's non-site sights / Anthony Robbin (1969) -- Earth / Thomas W. Leavitt (1969) -- Fragments of a conversation / William C. Lipke (1969) -- Fragments of an interview with Patsy Norvell (1969) -- Four conversations between Dennis Wheeler and Robert Smithson / edited by Eva Schmidt (1969-1970) -- Interview with Robert Smithson / Paul Toner (1970) -- Discussions with Heizer, Oppenheim, Smithson / Liza Bear, Willoughby Sharp (1970) -- " ... The earth, subject to cataclysms, is a cruel master" / Gregoire Müller (1971) -- Conversation with Robert Smithson / Bruce Kurtz (1972) -- Interview with Robert Smithson for the archives of American art / Smithosonian Institute, Paul Cummings (1972) -- Conversation in Salt Lake City / Gianni Pettena (1972) -- Entropy made visible / Alison Sky (1973) -- Robert Smithson on Duchamp / Moira Roth (1973). | |
| 505 | 0 | |a Unpublished writings : Poems (1959-1961) : From the temptations -- From the walls of Dis -- From the city -- To the eye of blood -- The lamentations of the paroxysmal artist -- Prose : The iconography of desolation (c. 1962) -- The eliminator (1964) -- The hum (c. 1965) -- A short description of two mirrored crystal structures (1965) -- Response to a questionnaire from Irving Sandler (1966) -- Colossal nullifications (part I) (c. 1966) -- Atlantic City (H-13) (1966) -- The shape of the future and memory (1966) -- Predictable model for unpredictable project (c. 1966) -- Proposal for the detection of approximate period quantity (c. 1966) -- An esthetics of disappointment (c. 1966) -- Sol Lewitt (1966-67) -- A refutation of historical humanism (1966-67) -- The pathetic fallacy in esthetics (1966-67) -- Abstract mannerism (1966-67) -- The artist as site-seer; or, a ditorphic essay (1966-67) -- What really spoils Michelangelo's sculpture (1966-67) -- From Ivan the Terrible to Roger Corman or paradoxes of conduct in mannerism as reflected in the cinema (1967) -- Proposal for earthworks and landmarks to be built on the fringes of the Fort Worth-Dallas Regional Air Terminal Site (1966-67) -- Untitled (air terminal, windows) (1967) -- See the monuments of Passaic New Jersey (1967) -- The monument : outline for a film (1967) -- Pointless vanishing points (1967) -- A small test for Jo Baer (1968) -- Outline for Yale Symposium : against absolute categories (1968) -- Sites and settings (1968) -- Untitled (site data) (1968) -- A provisional theory of non-sites (1968) -- Non-site number 2 (1968) -- Hidden trails in art (1969) -- Can man survive? (1969) -- Letter to Gyorgy Kepes (1969) -- Look (1970) -- Art and dialectics (1971) -- Art through the camera's eye (c. 1971) -- Untitled (1971) -- Letter to John Dixon (1972) -- Production for production's sake (1972) -- Untitled (1972) -- Proposal (1972). | |
| 520 | |a "Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson's significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow. In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture." --Descripción del editor. | ||
| 600 | 1 | 0 | |a Smithson, Robert |x Aesthetics. |
| 600 | 1 | 0 | |a Smithson, Robert |v Interviews. |
| 600 | 1 | 7 | |a Smithson, Robert |x Estética. |2 UDESA |
| 600 | 1 | 7 | |a Smithson, Robert |v Entrevistas. |2 UDESA |
| 650 | 0 | |a Art, American |y 20th century. | |
| 650 | 0 | |a Artists |z United States |v Interviews. | |
| 650 | 0 | |a Art criticism. | |
| 650 | 7 | |a Arte estadounidense |y Siglo XX. |2 UDESA | |
| 650 | 7 | |a Artistas |z Estados Unidos |v Entrevistas. |2 UDESA | |
| 650 | 7 | |a Arte |x Crítica. |2 UDESA | |
| 700 | 1 | |a Flam, Jack D., |e ed. | |
| 740 | 1 | |a Writings of Robert Smithson. | |
| 830 | 0 | |a Documents of 20th century art | |