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03594nam a2200505Ia 4500 |
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99745624604151 |
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20241030105240.0 |
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190717s2018 enkab b 001 0 eng d |
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|a 9780500239698
|q (hardback)
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|a 050023969X
|q (hardback)
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|a (OCoLC)1108872453
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|a (OCoLC)on1108872453
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|a U@S
|b spa
|c U@S
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|a e------
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|a U@SA
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4 |
|a N8236.P69
|b N63 2018
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1 |
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|a Nochlin, Linda.
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| 245 |
1 |
0 |
|a Misère :
|b the visual representation of misery in the 19th century /
|c Linda Nochlin.
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3 |
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|a Visual representation of misery in the 19th century
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| 260 |
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|a London :
|b Thames and Hudson,
|c 2018.
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| 300 |
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|a 176 p. :
|b il., 1 mapa ;
|c 24 cm.
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| 500 |
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|a "128 illustrations."
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|a Incluye referencias bibliográficas (p. 164-170) e índice.
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0 |
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|a Misère : the Irish paradigm -- The gender of misery -- Géricault, Goya and the representation of misery -- Representing misery : Courbet's Beggar woman -- Fernand Pelez : master of miserable old men.
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| 520 |
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|a "The arrival of the Industrial Revolution in the early 19th century witnessed unprecedented changes in society: rapid economic progress went hand-in-hand with appalling working conditions, displacement, squalor and destitution for those at the bottom of the social scale. These new circumstances presented a challenge to contemporary image-makers, who wished to capture the effects of hunger, poverty and alienation in Britain, Ireland and France in the era before documentary photography. In this groundbreaking book, the eminent art historian Linda Nochlin examines the styles and expressive strategies that were used by artists and illustrators to capture this misère, roughly characterized as poverty that afflicts both body and soul. She investigates images of the Irish Famine in the period 1846-51; the gendered representation of misery, particularly of poor women and prostitutes; and the work of three very different artists: Théodore Géricault, Gustave Courbet and the less well-known Fernand Pelez. The artists' desire to depict the poor and the outcast accurately and convincingly is still a pertinent issue, though now, as Nochlin observes, the question has a moral and ethical dimension - does the documentary style belittle its subjects and degrade their condition?" --Descripción del editor.
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| 600 |
1 |
0 |
|a Géricault, Théodore,
|d 1791-1824
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Courbet, Gustave,
|d 1819-1877
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Pelez, Fernand,
|d 1848-1913
|x Criticism and interpretation.
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| 600 |
1 |
7 |
|a Géricault, Théodore,
|d 1791-1824
|x Crítica e interpretación.
|2 UDESA
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| 600 |
1 |
7 |
|a Courbet, Gustave,
|d 1819-1877
|x Crítica e interpretación.
|2 UDESA
|
| 600 |
1 |
7 |
|a Pelez, Fernand,
|d 1848-1913
|x Crítica e interpretación.
|2 UDESA
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| 650 |
|
0 |
|a Poverty in art
|x History.
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| 650 |
|
0 |
|a Poverty in literature
|x History.
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| 650 |
|
0 |
|a Suffering in art
|x History.
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| 650 |
|
0 |
|a Suffering in literature
|x History.
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| 650 |
|
0 |
|a Industrial revolution in art.
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| 650 |
|
0 |
|a Art, Modern
|y 19th century
|x History.
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| 650 |
|
0 |
|a Art, European
|y 19th century
|x History.
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| 650 |
|
7 |
|a Pobreza en el arte
|x Historia.
|2 UDESA
|
| 650 |
|
7 |
|a Pobreza en la literatura
|x Historia.
|2 UDESA
|
| 650 |
|
7 |
|a Sufrimiento en el arte
|x Historia.
|2 UDESA
|
| 650 |
|
7 |
|a Sufrimiento en la literatura
|x Historia.
|2 UDESA
|
| 650 |
|
7 |
|a Revolución industrial en el arte.
|2 UDESA
|
| 650 |
|
7 |
|a Arte moderno
|y Siglo XIX
|x Historia.
|2 UDESA
|
| 650 |
|
7 |
|a Arte europeo
|y Siglo XIX
|x Historia.
|2 UDESA
|