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02863cam a22003734a 4500 |
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990000643890204151 |
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20241030105023.0 |
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000802s2001 njua b 001 0 eng |
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|a 00062533
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|a 795108109
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|a 0813529034
|q (alk. paper)
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|a 9780813529035
|q (alk. paper)
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|a 9780813529042
|q (pbk. : alk. paper)
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|a (OCoLC)000064389
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|a (udesa)000064389USA01
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|a (OCoLC)44802987
|z (OCoLC)795108109
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|a (OCoLC)990000643890204151
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|a DLC
|c DLC
|d LVB
|d BAKER
|d BTCTA
|d YDXCP
|d NLGGC
|d IG#
|d UBC
|d GEBAY
|d EXW
|d OCLCO
|d OCLCF
|d OCLCQ
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|a pcc
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|a U@SA
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|a GT525
|b .A75 2001
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|a 391/.009/04
|2 21
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|a Arnold, Rebecca.
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|a Fashion, desire, and anxiety :
|b image and morality in the 20th century /
|c Rebecca Arnold.
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|a New Brunswick, NJ :
|b Rutgers University Press,
|c 2001.
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|a xiv, 144 p. :
|b il. ;
|c 24 cm.
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|a Incluye referencias bibliográficas (p. 134-138) e índice.
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|a Status, Power and Display -- Excess -- Cruelty and Power -- Simplicity -- Imperfection -- Eco -- Violence and Provocation -- Ultra Style/Ultra Violence -- Gangsters -- Gangstas -- Skinheads -- Punks -- Heroin Chic -- Decadence and Decay -- The Eroticised Body -- Underwear as Outerwear -- Eroticism -- Fetish -- The Brutalised Body -- Flesh -- Skin -- Gender and Subversion -- New Woman -- Dressing Up: Woman -- Dressing Up: Man -- Unisex -- Androgyny.
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|a "Fashion, and the glossy magazines it inhabits, allow Western culture to dream. It permits a person to fantasize and to experiment with new identities. It flaunts glamour and success. Appearance becomes something to be perfected and admired." "These dreams and freedoms, Rebecca Arnold proposes, are contradictory. Fashion and its surrounding imagery elicit fear and anxiety in their consumers as well as pleasure. Fashion has come to incorporate the underside of modern life, with violence and decay becoming a dominant theme in clothing design and photography." "Arnold draws on diverse written sources to explore the complex nature of modern fashion. She discusses a range of key themes: how fashion uses and abuses the power of wealth; the alienating promotion of "good" taste; the power plays of sex and display; and how identities can be blurred to disguise and confuse. In order to unravel the contradictory emotions of desire and anxiety they provoke, she never loses sight of the historical and cultural contexts in which fashion designers and photographers perform."--Descripción del editor.
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|a Fashion
|x Social aspects.
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650 |
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|a Fashion
|x History
|y 20th century.
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650 |
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|a Moda
|x Aspectos sociales.
|2 UDESA
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650 |
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|a Moda
|y Siglo XX
|x Historia.
|2 UDESA
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