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02817cam a2200349 a 4500 |
| 001 |
990000550660204151 |
| 005 |
20241030112551.0 |
| 008 |
070611s2007 nyuabf b 001 0 eng |
| 010 |
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|a 2007023997
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|a GBA767308
|2 bnb
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| 016 |
7 |
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|a 013824798
|2 Uk
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| 020 |
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|a 9781890951788
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| 020 |
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|a 1890951781
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| 035 |
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|a (OCoLC)000055066
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| 035 |
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|a (udesa)000055066USA01
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| 035 |
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|a (OCoLC)144570876
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| 035 |
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|a (OCoLC)990000550660204151
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| 040 |
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|a DLC
|c DLC
|d BAKER
|d YDXCP
|d BTCTA
|d UKM
|d C#P
|d VRC
|d NLGGC
|d VP@
|d TSU
|d HEBIS
|d EUM
|d U@S
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| 049 |
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|a U@SA
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| 050 |
0 |
0 |
|a BD220
|b .D37 2007
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| 082 |
0 |
0 |
|a 121/.4
|2 22
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| 100 |
1 |
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|a Daston, Lorraine,
|d 1951-
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| 245 |
1 |
0 |
|a Objectivity /
|c Lorraine Daston & Peter Galison.
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| 260 |
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|a New York :
|b Zone Books ;
|a Cambridge, Mass. :
|b MIT Press [distributor],
|c 2007.
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| 300 |
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|a 501 p., [38] p. of plates :
|b ill. (some col.), maps (some col.) ;
|c 24 cm.
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| 504 |
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|a Includes bibliographical references (p. 419-481) and index.
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| 505 |
0 |
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|a Prologue: objectivity shock -- Epistemologies of the eye -- Blind sight -- Collective empiricism -- Objectivity is new -- Histories of the scientific self -- Epistemic virtues -- The argument -- Objectivity in shirtsleeves -- Truth-to-nature -- Before objectivity -- Taming nature's variability -- The idea in the observation -- Four-eyed sight -- Drawing from nature -- Truth-to-nature after objectivity -- Mechanical objectivity -- Seeing clear -- Photography as science and art -- Automatic images and blind sight -- Drawing against photography -- Self-surveillance -- Ethics of objectivity -- The scientific self -- Why objectivity? -- The scientific subject -- Kant among the scientists -- Scientific personas --
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| 505 |
0 |
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|a Observation and attention -- Knower and knowledge -- Structural objectivity -- Objectivity without images -- The objective science of mind -- The real, the objective, and the communicable -- The color of subjectivity -- What even a god could not say -- Dreams of a neutral language -- The cosmic community -- Trained judgment -- The uneasiness of mechanical reproduction -- Accuracy should not be sacrificed to objectivity -- The art of judgment -- Practices and the scientific self -- Representation to presentation -- Seeing is being : truth, objectivity, and judgment -- Seeing is making : nanofacture -- Right depiction.
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| 520 |
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|a Daston and Galison chart the emergence of objectivity in the mid 19th century sciences and show how the concept differs from its alternatives, truth-to-nature and trained judgement. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images.
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| 650 |
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0 |
|a Objectivity.
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| 700 |
1 |
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|a Galison, Peter,
|d 1955-
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| 856 |
4 |
1 |
|3 Table of contents only
|u http://www.loc.gov/catdir/toc/ecip0720/2007023997.html
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