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|a 338.4/77/00973
|2 21
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| 084 |
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|a 20.10
|2 bcl
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| 100 |
1 |
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|a Caves, Richard E.
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| 245 |
1 |
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|a Creative industries :
|b contracts between art and commerce /
|c Richard E. Caves.
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| 260 |
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|a Cambridge, Mass. ;
|a London :
|b Harvard University Press,
|c 2000.
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| 300 |
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|a ix, 454 p. ;
|c 25 cm.
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| 504 |
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|a Includes bibliographical references (p. 371-447) and index.
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|a Artists as apprentices -- Artists, dealers, and deals -- Artist and gatekeeper: trade books, popular records, and classical music -- Artists, starving and well-fed -- The Hollywood studios disintegrate -- Contracts for creative products: films and plays -- Guilds, unions, and faulty contracts -- The nurture of ten-ton turkeys -- Creative products go to market: books and records -- Creative products go to market: films -- Buffs, buzz, and educated tastes --
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| 505 |
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|a Consumers, critics, and certifiers -- Innovation, fads, and fashions -- Covering high fixed costs -- Donor-supported nonprofit organizations in the performing arts -- Cost disease and its analgesics -- Durable creative goods: rents pursued through time and space -- Payola -- Organizing to collect rents: music copyrights -- Entertainment conglomerates and the quest for rents -- Filtering and storing durable creative goods: visual arts -- New versus old art: Boulez meets Beethoven.
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| 650 |
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0 |
|a Arts
|x Economic aspects
|z United States
|x History
|y 20th century.
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