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<dc:title xml:lang="en-US">Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days</dc:title>
<dc:title xml:lang="es-ES">Deconstruyendo aspectos del mito de Galina Tolmacheva y el teatro independiente en Mendoza a mediados del siglo XX: voces y silencios femeninos en el discurso teatral de la época y su continuidad en nuestros días</dc:title>
<dc:creator>Sarale, Marina </dc:creator>
<dc:creator>Gómez, Ariana Lucía </dc:creator>
<dc:subject xml:lang="es-ES">Género</dc:subject>
<dc:subject xml:lang="es-ES">Ética</dc:subject>
<dc:subject xml:lang="es-ES">Teatro independiente</dc:subject>
<dc:subject xml:lang="es-ES">Universidad</dc:subject>
<dc:subject xml:lang="es-ES">Stanislavski</dc:subject>
<dc:subject xml:lang="en-US">Genders</dc:subject>
<dc:subject xml:lang="en-US">Ethics</dc:subject>
<dc:subject xml:lang="en-US">Independent Theatre</dc:subject>
<dc:subject xml:lang="en-US">University</dc:subject>
<dc:subject xml:lang="en-US">Stanislavski</dc:subject>
<dc:description xml:lang="en-US">Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it’s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on the National University of Cuyo; its training matrix is based on the notion of ethics by Konstantin Stanislavski (Russia 1863-1938), publized in Mendoza by Galina Tolmacheva. We will try to pinpoint the feminine voices and silences in the theatrical discourse of the time within the singularities that take place in that ephocal moment, as well as in relation to Independent Theater / Superior School of Theater.</dc:description>
<dc:description xml:lang="es-ES">Entre 1930 y 1960 se produce la afirmación y profesionalización de la actividad teatral en Mendoza. Esto sucede, entre otras cosas, por el surgimiento del Teatro Independiente, la Fiesta de la Vendimia y la fundación de la Escuela de Teatro de la Universidad Nacional de Cuyo en 1949, cuya matriz de formación se basa en la ética de Konstantin Stanislavski (Rusia, 1863-1938) divulgada por Galina Tolmacheva. Intentaremos advertir las voces y los silencios femeninos en el discurso teatral de la época dentro de las singularidades que se producen en la etapa, en la relación Teatro Independiente / Escuela Superior de Teatro.</dc:description>
<dc:publisher xml:lang="es-ES">Instituto de Literaturas Modernas</dc:publisher>
<dc:date>2019-06-28</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2718</dc:identifier>
<dc:source xml:lang="en-US">Revista de literaturas modernas; Vol. 49 No. 1 (2019): Dossier. Textualidades y género: esteriotipos, subversiones y disidencias. ; 121-130</dc:source>
<dc:source xml:lang="es-ES">Revista de Literaturas Modernas; Vol. 49 Núm. 1 (2019): Dossier. Textualidades y género: estereotipos, subversiones y disidencias. ; 121-130</dc:source>
<dc:source xml:lang="it-IT">Revista de literaturas modernas; V. 49 N. 1 (2019): Dossier. Textualidades y género: estereotipos, subversiones y disidencias. ; 121-130</dc:source>
<dc:source>2683-8389</dc:source>
<dc:source>0556-6134</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2718/1907</dc:relation>
</oai_dc:dc>
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"title": "Deconstructing aspects of Galina Tolmacheva\u2019s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days",
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"title_fullStr": "Deconstructing aspects of Galina Tolmacheva\u2019s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days",
"title_full_unstemmed": "Deconstructing aspects of Galina Tolmacheva\u2019s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days",
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"description": "Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it\u2019s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on the National University of Cuyo; its training matrix is based on the notion of ethics by Konstantin Stanislavski (Russia 1863-1938), publized in Mendoza by Galina Tolmacheva. We will try to pinpoint the feminine voices and silences in the theatrical discourse of the time within the singularities that take place in that ephocal moment, as well as in relation to Independent Theater \/ Superior School of Theater.",
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