XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R103article-4210</identifier><datestamp>2020-12-21T15:58:56Z</datestamp>
<dc:title xml:lang="en-US">Realeased-child: from novísima aesthetics to Agustín Fernández Mallo's Nocilla Project</dc:title>
<dc:title xml:lang="es-ES">Lo niño liberado: de la estética novísima al Proyecto Nocilla de Agustín Fernández Mallo</dc:title>
<dc:creator>Fumis, Daniela</dc:creator>
<dc:subject xml:lang="es-ES">infancia</dc:subject>
<dc:subject xml:lang="es-ES">Transición</dc:subject>
<dc:subject xml:lang="es-ES">Nocilla</dc:subject>
<dc:subject xml:lang="es-ES">novísimos</dc:subject>
<dc:subject xml:lang="en-US">childhood</dc:subject>
<dc:subject xml:lang="en-US">Transition</dc:subject>
<dc:subject xml:lang="en-US">Nocilla</dc:subject>
<dc:subject xml:lang="en-US">novísimos</dc:subject>
<dc:description xml:lang="en-US">In recent decades, the review of the Transition tale has managed to expose the nuances that go through its different versions in terms of disputed sensibilities (Ros Ferrer, 2020). In this sense, the inquiry into the Novísimos’ proposal is installed as the construction of a mythology of an aesthetic nature that continues to this day. Thus, it is possible to recognize a problem of constitutive dyschrony (Dalmaroni, 2005) in which childhood occupies a central place. The hypothesis of this article maintains that childhood works in Agustín Fernández Mallo's Nocilla Project as affiliation to the tradition of a novísima aesthetics in terms of "the liberated child" (Labrador Méndez, 2017; Savater, 1995; Sánchez Mateos-Paniagua, 2015). Finally, it will be possible to recognize in the gestures of rupture, based on the operations of the "infantile position" (Fumis, 2017; 2019), a way in which the Post-poetic proposal works on the niño-novísima&nbsp;fiction as a serious game.
&nbsp;</dc:description>
<dc:description xml:lang="es-ES">En las últimas décadas, la revisión del relato de la Transición ha conseguido exponer los matices que atraviesan sus distintas versiones en términos de sensibilidades en disputa (Ros Ferrer, 2020). En este sentido, la indagación sobre la propuesta novísima se instala como la construcción de una mitología de índole estética que se desplaza hasta nuestros días. Así, resulta posible reconocer un problema de discronía constitutiva (Dalmaroni, 2005) en el que la infancia ocupa un lugar central. La hipótesis de este trabajo sostiene que la infancia funciona en el Proyecto Nocilla de Agustín Fernández Mallo como filiación a la tradición de una estética novísima en términos de "lo niño liberado" (Labrador Méndez, 2017; Savater, 1995; Sánchez Mateos-Paniagua, 2015). Sobre las operatorias de la "posición infantil" (Fumis, 2017; 2019) resultará posible reconocer, en los gestos de ruptura, un modo en el que la propuesta postpoética trabaja sobre la ficción niño-novísima como juego serio.</dc:description>
<dc:publisher xml:lang="es-ES">Facultad de Filosofía y Letras, Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2020-12-21</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículos evaluados por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/4210</dc:identifier>
<dc:source xml:lang="es-ES">Boletín GEC; Núm. 26 (2020): Las lenguas de la infancia en la literatura española; 35-55</dc:source>
<dc:source>2618-334X</dc:source>
<dc:source>1515-6117</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/4210/3168</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2020 Daniela Fumis</dc:rights>
</oai_dc:dc>
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"title": "Realeased-child: from nov\u00edsima aesthetics to Agust\u00edn Fern\u00e1ndez Mallo's Nocilla Project",
"title_short": "Realeased-child: from nov\u00edsima aesthetics to Agust\u00edn Fern\u00e1ndez Mallo's Nocilla Project",
"title_full": "Realeased-child: from nov\u00edsima aesthetics to Agust\u00edn Fern\u00e1ndez Mallo's Nocilla Project",
"title_fullStr": "Realeased-child: from nov\u00edsima aesthetics to Agust\u00edn Fern\u00e1ndez Mallo's Nocilla Project",
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"title_sort": "realeased-child: from nov\u00edsima aesthetics to agust\u00edn fern\u00e1ndez mallo's nocilla project",
"description": "In recent decades, the review of the Transition tale has managed to expose the nuances that go through its different versions in terms of disputed sensibilities (Ros Ferrer, 2020). In this sense, the inquiry into the Nov\u00edsimos\u2019 proposal is installed as the construction of a mythology of an aesthetic nature that continues to this day. Thus, it is possible to recognize a problem of constitutive dyschrony (Dalmaroni, 2005) in which childhood occupies a central place. The hypothesis of this article maintains that childhood works in Agust\u00edn Fern\u00e1ndez Mallo's Nocilla Project as affiliation to the tradition of a nov\u00edsima aesthetics in terms of \"the liberated child\" (Labrador M\u00e9ndez, 2017; Savater, 1995; S\u00e1nchez Mateos-Paniagua, 2015). Finally, it will be possible to recognize in the gestures of rupture, based on the operations of the \"infantile position\" (Fumis, 2017; 2019), a way in which the Post-poetic proposal works on the ni\u00f1o-nov\u00edsima fiction as a serious game.\n ",
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