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<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R103article-2387</identifier><datestamp>2019-12-15T18:00:33Z</datestamp>
<dc:title xml:lang="en-US">Elements of Classical Greece in the work of Federico García Lorca</dc:title>
<dc:title xml:lang="es-ES">Elementos de la Grecia Clásica en la obra de Federico García Lorca</dc:title>
<dc:creator>Brignone, Germán</dc:creator>
<dc:subject xml:lang="es-ES">huellas</dc:subject>
<dc:subject xml:lang="es-ES">clásicos</dc:subject>
<dc:subject xml:lang="es-ES">García Lorca</dc:subject>
<dc:subject xml:lang="es-ES">filosofía</dc:subject>
<dc:subject xml:lang="en-US">traces</dc:subject>
<dc:subject xml:lang="en-US">classics</dc:subject>
<dc:subject xml:lang="en-US">García Lorca</dc:subject>
<dc:subject xml:lang="en-US">philosophy</dc:subject>
<dc:description xml:lang="en-US">An aspect very little reviewed by Lorca’s critics has to do with the traces in his writing of his great literary training (influence admitted in his own critical and metapoetical work). Some of the readings that show the greatest amount of resonances in Lorca´s work can be grouped into what we call classical Greek culture, and range from precepts or philosophical ideas (ranging from presocratics to Socrates himself and his entire school) to certain mythological or dramatic figures and concepts. The three cases that we present as exemplary topics are the transience of time, the use of the fire element and its relation to the postulates of Heraclitus, and the effective antecedents of the goblin in the Socrates daimon. These elements may also be susceptible to comparisons.</dc:description>
<dc:description xml:lang="es-ES">Un aspecto poco revisado por la crítica lorquiana tiene que ver con las huellas en su escritura de su gran formación literaria (influencia admitida en la propia obra crítica o metapoética). Algunas de las lecturas que muestran mayor cantidad de resonancias en la obra de Federico pueden agruparse dentro de lo que denominamos cultura griega clásica, y van desde preceptos o ideas filosóficas (que abarcan desde los presocráticos hasta el mismo Sócrates y toda su escuela) hasta ciertas figuras o conceptos mitológicos o dramáticos. Los tres casos que presentamos como tópicos ejemplares son la fugacidad del tiempo, el uso del elemento fuego y su relación con los postulados de Heráclito, y los efectivos antecedentes del duende en el daimon de Sócrates. Estos elementos también pueden ser susceptibles de comparaciones entre sí.</dc:description>
<dc:publisher xml:lang="es-ES">Facultad de Filosofía y Letras, Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2019-12-08</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2387</dc:identifier>
<dc:source xml:lang="es-ES">Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 176-183</dc:source>
<dc:source>2618-334X</dc:source>
<dc:source>1515-6117</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2387/1912</dc:relation>
</oai_dc:dc>
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"title": "Elements of Classical Greece in the work of Federico Garc\u00eda Lorca",
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