XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R103article-2354</identifier><datestamp>2019-12-15T18:00:33Z</datestamp>
<dc:title xml:lang="en-US">From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas </dc:title>
<dc:title xml:lang="es-ES">De lo afectivo a lo apelativo: hacia una tipología lorquiana de las canciones de cuna</dc:title>
<dc:creator>di Marco, Marina</dc:creator>
<dc:subject xml:lang="es-ES">canciones de cuna</dc:subject>
<dc:subject xml:lang="es-ES">tipología</dc:subject>
<dc:subject xml:lang="es-ES">Federico García Lorca</dc:subject>
<dc:subject xml:lang="es-ES">enunciación</dc:subject>
<dc:subject xml:lang="es-ES">imagen de niño</dc:subject>
<dc:subject xml:lang="en-US">cradle songs</dc:subject>
<dc:subject xml:lang="en-US">typology</dc:subject>
<dc:subject xml:lang="en-US">Federico García Lorca</dc:subject>
<dc:subject xml:lang="en-US">utterance</dc:subject>
<dc:subject xml:lang="en-US">child representation</dc:subject>
<dc:description xml:lang="en-US">As a part of children’s literature, and having an evident communication simplicity, cradle songs are a genre that encourage the analysis of the child representation underlying each text. From this point of view, we consider we are able to understand and amplify the typology established by García Lorca to depict Spanish lullabies in his conference "Las nanas infantiles" (1928). This article aims to propose a typology comprehensive not only of folk anonymous cradle songs, but also of poems written by known authors that reproduce the basic scheme of the genre. Open to mutual hybridization, the categories here presented are meant to be tools for further interpretations. So, we pay attention to semantic and pragmatic aspects of cradle songs: the generation of a new perceptive space and the duality of tones, that duality that reflects "”as Cerrillo Torremocha says"” "the duality of life itself ["¦], whit its obsessions, its loves and its hopes".
&nbsp;</dc:description>
<dc:description xml:lang="es-ES">Enmarcadas en la literatura infantil, y con sencillez comunicativa, las canciones constituyen un género propicio para analizar la imagen de niño subyacente. Bajo esta luz puede comprenderse y ampliarse la tipificación con la cual García Lorca describe las nanas de tradición hispánica, en su conferencia "Las nanas infantiles" (1928). Sobre esa base, el presente trabajo propone enunciar una tipología que permita abarcar no solo a las canciones de cuna folklóricas, sino también los poemas de autor conocido en los que se reformula el esquema básico del género. Con permeabilidad para la mutua hibridación, las categorías propuestas buscan constituir herramientas de interpretación. Así, pondrán atención en el aspecto semántico-pragmático de las obras: la generación de un espacio perceptivo y la dualidad de tonos, que refleja, al decir de Cerrillo Torremocha, "la propia dualidad de la vida misma ["¦], con sus obsesiones, sus miedos y sus esperanzas".</dc:description>
<dc:publisher xml:lang="es-ES">Facultad de Filosofía y Letras, Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2019-12-08</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2354</dc:identifier>
<dc:source xml:lang="es-ES">Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 65-79</dc:source>
<dc:source>2618-334X</dc:source>
<dc:source>1515-6117</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2354/1915</dc:relation>
</oai_dc:dc>
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"title": "From sweetness to appeal: towards a typology of lullabies based on Lorca\u2019s ideas ",
"title_short": "From sweetness to appeal: towards a typology of lullabies based on Lorca\u2019s ideas ",
"title_full": "From sweetness to appeal: towards a typology of lullabies based on Lorca\u2019s ideas ",
"title_fullStr": "From sweetness to appeal: towards a typology of lullabies based on Lorca\u2019s ideas ",
"title_full_unstemmed": "From sweetness to appeal: towards a typology of lullabies based on Lorca\u2019s ideas ",
"title_sort": "from sweetness to appeal: towards a typology of lullabies based on lorca\u2019s ideas",
"description": "As a part of children\u2019s literature, and having an evident communication simplicity, cradle songs are a genre that encourage the analysis of the child representation underlying each text. From this point of view, we consider we are able to understand and amplify the typology established by Garc\u00eda Lorca to depict Spanish lullabies in his conference \"Las nanas infantiles\" (1928). This article aims to propose a typology comprehensive not only of folk anonymous cradle songs, but also of poems written by known authors that reproduce the basic scheme of the genre. Open to mutual hybridization, the categories here presented are meant to be tools for further interpretations. So, we pay attention to semantic and pragmatic aspects of cradle songs: the generation of a new perceptive space and the duality of tones, that duality that reflects \"\u201das Cerrillo Torremocha says\"\u201d \"the duality of life itself [\"\u00a6], whit its obsessions, its loves and its hopes\".\n ",
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