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<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R103article-2352</identifier><datestamp>2019-12-15T18:00:33Z</datestamp>
<dc:title xml:lang="en-US">Margarita Xirgu and Federico García Lorca, Symbols of Republican Exile Memory. About the World Premiere of La casa de Bernarda Alba in Buenos Aires (1945)</dc:title>
<dc:title xml:lang="es-ES">Margarita Xirgu y Federico García Lorca, símbolos de la memoria del exilio republicano. A propósito del estreno mundial de La casa de Bernarda Alba en Buenos Aires</dc:title>
<dc:creator>Simón, Paula Cecilia</dc:creator>
<dc:subject xml:lang="es-ES">Federico García Lorca</dc:subject>
<dc:subject xml:lang="es-ES">Margarita Xirgu</dc:subject>
<dc:subject xml:lang="es-ES">Buenos Aires</dc:subject>
<dc:subject xml:lang="es-ES">teatro</dc:subject>
<dc:subject xml:lang="es-ES">exilio</dc:subject>
<dc:subject xml:lang="en-US">Federico García Lorca</dc:subject>
<dc:subject xml:lang="en-US">Margarita Xirgu</dc:subject>
<dc:subject xml:lang="en-US">Buenos Aires</dc:subject>
<dc:subject xml:lang="en-US">theatre</dc:subject>
<dc:subject xml:lang="en-US">exile</dc:subject>
<dc:description xml:lang="en-US">This essay recalls some important moments of the friendship between Federico García Lorca and Margarita Xirgu in order to reflect on one of the most valuable events in contemporary Argentinian theatre: the premiere of La casa de Bernarda Alba, which took place at Teatro Avenida on March 8, 1945. This fact collaborated decisively with the elevation of García Lorca to the category of symbol of republican culture and identity in exile. We understand this reflection in connection with concept of memory as a process that develops in a specific physical and material environment. For this reason we consider that Buenos Aires, in general, and theather, in particular, constitute an essential part of the topography of the memory of the Republican exile.</dc:description>
<dc:description xml:lang="es-ES">El ensayo recorre algunos momentos centrales de la amistad entre Federico García Lorca y Margarita Xirgu hasta llegar al estreno de La casa de Bernarda Alba, ocurrido en el Teatro Avenida de Buenos Aires el 8 de marzo de 1945, un hecho que colaboró decisivamente con la elevación de García Lorca a la categoría de símbolo de la cultura y de la identidad republicanas en el exilio. Asimismo, esta reflexión se encuadra en los estudios de la memoria que la entienden como un proceso que se desarrolla en un medio físico y material determinado. En esa línea, Buenos Aires, en general, y la escena teatral porteña de los años cuarenta, en particular, constituyen parte esencial de la topografía de la memoria del exilio republicano.</dc:description>
<dc:publisher xml:lang="es-ES">Facultad de Filosofía y Letras, Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2019-12-08</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2352</dc:identifier>
<dc:source xml:lang="es-ES">Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 142-161</dc:source>
<dc:source>2618-334X</dc:source>
<dc:source>1515-6117</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2352/1916</dc:relation>
</oai_dc:dc>
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"title": "Margarita Xirgu and Federico Garc\u00eda Lorca, Symbols of Republican Exile Memory. About the World Premiere of La casa de Bernarda Alba in Buenos Aires (1945)",
"title_short": "Margarita Xirgu and Federico Garc\u00eda Lorca, Symbols of Republican Exile Memory. About the World Premiere of La casa de Bernarda Alba in Buenos Aires (1945)",
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"description": "This essay recalls some important moments of the friendship between Federico Garc\u00eda Lorca and Margarita Xirgu in order to reflect on one of the most valuable events in contemporary Argentinian theatre: the premiere of La casa de Bernarda Alba, which took place at Teatro Avenida on March 8, 1945. This fact collaborated decisively with the elevation of Garc\u00eda Lorca to the category of symbol of republican culture and identity in exile. We understand this reflection in connection with concept of memory as a process that develops in a specific physical and material environment. For this reason we consider that Buenos Aires, in general, and theather, in particular, constitute an essential part of the topography of the memory of the Republican exile.",
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