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<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R103article-2295</identifier><datestamp>2019-12-15T18:00:33Z</datestamp>
<dc:title xml:lang="en-US">The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions</dc:title>
<dc:title xml:lang="es-ES">El teatro de García Lorca: atisbos de liberación femenina dentro de costumbres patriarcales</dc:title>
<dc:creator>Aguilar, José Luis Fernando</dc:creator>
<dc:subject xml:lang="es-ES">Federico García Lorca</dc:subject>
<dc:subject xml:lang="es-ES">Yerma</dc:subject>
<dc:subject xml:lang="es-ES">Bodas de sangre</dc:subject>
<dc:subject xml:lang="es-ES">feminismo</dc:subject>
<dc:subject xml:lang="es-ES">patriarcado</dc:subject>
<dc:subject xml:lang="en-US">Federico García Lorca</dc:subject>
<dc:subject xml:lang="en-US">Yerma</dc:subject>
<dc:subject xml:lang="en-US">Blood Wedding</dc:subject>
<dc:subject xml:lang="en-US">feminism</dc:subject>
<dc:subject xml:lang="en-US">patriarchy</dc:subject>
<dc:description xml:lang="en-US">The dramatic works of Federico García Lorca Blood Wedding and Yerma, despite having been published in the 1930s of the last century, raise themes so current that we could say that the work of the author exhibits and seeks from fiction a deep social commitment. In its plots flashes emerge of a vindication of women’s equality in a patriarchal system, that is still difficult to dismiss from thought systems and behavioral patterns. The Bride, Yerma and the Second Girl, each in their own way and concomitantly to their ideas and impulses, face a whole structure of institutions, habits and traditions whose objective is to claim dignity and their inalienable rights.</dc:description>
<dc:description xml:lang="es-ES">Las obras de Federico García Lorca Bodas de Sangre y Yerma, a pesar de haber sido publicadas en la década de 1930 del siglo pasado, plantean temáticas tan vigentes que podríamos decir que la literatura de este autor expone y busca desde la ficción un profundo compromiso social. En su trama emergen destellos de una reivindicación de la igualdad de la mujer en un sistema patriarcal que aún hoy es difícil desterrar de los sistemas de pensamiento y de los patrones conductuales. La Novia, Yerma y la Muchacha 2ª, cada una a su manera y de forma concomitante a sus ideas y pulsiones, se enfrentan a toda una estructura de instituciones, hábitos y tradiciones con el objetivo de reivindicar su dignidad y sus derechos inalienables.</dc:description>
<dc:publisher xml:lang="es-ES">Facultad de Filosofía y Letras, Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2019-12-08</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2295</dc:identifier>
<dc:source xml:lang="es-ES">Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 11-23</dc:source>
<dc:source>2618-334X</dc:source>
<dc:source>1515-6117</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2295/1918</dc:relation>
</oai_dc:dc>
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"title": "The theatre of Federico Garc\u00eda Lorca: glimmers of female liberation within patriarchal traditions",
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