XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R101article-2906</identifier><datestamp>2020-12-11T17:07:36Z</datestamp>
<dc:title xml:lang="es-ES">Dibujos inéditos de artistas sevillanos contemporáneos: José Arpa y Luis Cáceres</dc:title>
<dc:creator>Rojas-Marcos González, Jesús</dc:creator>
<dc:subject xml:lang="es-ES">Dibujo</dc:subject>
<dc:subject xml:lang="es-ES">José Arpa</dc:subject>
<dc:subject xml:lang="es-ES">Luis Cáceres</dc:subject>
<dc:subject xml:lang="es-ES">Sevilla</dc:subject>
<dc:description xml:lang="en-US">The teaching, use and command of drawing were fundamental in modern and contemporary Sevillian fine arts. Fortunately, in recent years, our research on such matters has allowed us to discover models of diverse nature and chronology. They usually belong to private collections where acces is difficult and restricted. That circumstance highlights the importance of these findings, sometimes random and unforeseen. In this article six drawings ares introduced. They were drawn by two outstanding sevillian artists who lived between the 19th and 20th century. We refer to the painter José Arpa Perea and sketcher Luis Cáceres Valdivia. We have selected these authors for having a similar first artistic training, for working at the same time and, above all, for the different way of tackleing and resolving the practice of drawing due to they each were specialized in a different discipline. Analysis and comparison of his works reveal suggestive and varied panorama of sevillian drawing at the end of the 19th century and the beginning of next century.</dc:description>
<dc:description xml:lang="es-ES">La enseñanza, el uso y el dominio del dibujo fueron fundamentales en las artes plásticas sevillanas modernas y contemporáneas. Por fortuna, en los últimos años, nuestras investigaciones sobre tales asuntos nos han permitido descubrir ejemplares de diversa naturaleza y cronología. Por lo común, se conservan en colecciones privadas, de acceso siempre difícil y restringido, circunstancia que resalta la importancia de estos hallazgos, en ocasiones azarosos e imprevistos. En el presente artículo damos a conocer seis dibujos realizados por dos relevantes artistas hispalenses que vivieron a caballo entre los siglos XIX y XX. Nos referimos al pintor José Arpa Perea y al dibujante Luis Cáceres Valdivia. Hemos seleccionado dichos autores por tener una primera formación artística similar, por trabajar en la misma época y, sobre todo, por el distinto modo de afrontar y resolver la práctica del dibujo, ya que cada uno se especializó en una disciplina diferente. El análisis y el cotejo de sus obras revelan el sugestivo y variado panorama del dibujo sevillano a fines del Ochocientos y principios de la siguiente centuria.</dc:description>
<dc:publisher xml:lang="es-ES">Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2020-07-10</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículos evaluados por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2906</dc:identifier>
<dc:source xml:lang="en-US">Art History Notebooks; No. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 269-310</dc:source>
<dc:source xml:lang="es-ES">CUADERNOS DE HISTORIA DEL ARTE; Núm. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 269-310</dc:source>
<dc:source>2618-5555</dc:source>
<dc:source>0070-1688</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2906/2657</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2020 CUADERNOS DE HISTORIA DEL ARTE</dc:rights>
</oai_dc:dc>
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"title": "Dibujos in\u00e9ditos de artistas sevillanos contempor\u00e1neos: Jos\u00e9 Arpa y Luis C\u00e1ceres",
"title_short": "Dibujos in\u00e9ditos de artistas sevillanos contempor\u00e1neos: Jos\u00e9 Arpa y Luis C\u00e1ceres",
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"title_fullStr": "Dibujos in\u00e9ditos de artistas sevillanos contempor\u00e1neos: Jos\u00e9 Arpa y Luis C\u00e1ceres",
"title_full_unstemmed": "Dibujos in\u00e9ditos de artistas sevillanos contempor\u00e1neos: Jos\u00e9 Arpa y Luis C\u00e1ceres",
"title_sort": "dibujos in\u00e9ditos de artistas sevillanos contempor\u00e1neos: jos\u00e9 arpa y luis c\u00e1ceres",
"description": "The teaching, use and command of drawing were fundamental in modern and contemporary Sevillian fine arts. Fortunately, in recent years, our research on such matters has allowed us to discover models of diverse nature and chronology. They usually belong to private collections where acces is difficult and restricted. That circumstance highlights the importance of these findings, sometimes random and unforeseen. In this article six drawings ares introduced. They were drawn by two outstanding sevillian artists who lived between the 19th and 20th century. We refer to the painter Jos\u00e9 Arpa Perea and sketcher Luis C\u00e1ceres Valdivia. We have selected these authors for having a similar first artistic training, for working at the same time and, above all, for the different way of tackleing and resolving the practice of drawing due to they each were specialized in a different discipline. Analysis and comparison of his works reveal suggestive and varied panorama of sevillian drawing at the end of the 19th century and the beginning of next century.",
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