XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R101article-2897</identifier><datestamp>2020-12-11T17:05:09Z</datestamp>
<dc:title xml:lang="en-US">Uprising lines, drawing in front of writing</dc:title>
<dc:title xml:lang="es-ES">Líneas sublevadas, el dibujo frente a la escritura</dc:title>
<dc:creator>Ortega Salgado, Cynthia </dc:creator>
<dc:subject xml:lang="es-ES">DIBUJO FRENTE A LA ESCRITURA, SUBLEVACIÓN</dc:subject>
<dc:subject xml:lang="en-US">DRAWING IN FRONT OF WRITING, UPRISING</dc:subject>
<dc:description xml:lang="en-US">The present text seeks to connect body, drawing and uprising –understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism–. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different than the current one and drawing as a sensation embodied in front of writing. A drawing is not a text, it opens to a different logic where a body shows an incarnated thought and manifests its impotence through movement. Finally, it emphasizes the human right of disobeying from the body and the drawing as dissidence against what oppresses and enslaves us.</dc:description>
<dc:description xml:lang="es-ES">El presente texto busca conectar el cuerpo, el dibujo y la sublevación –entendida como resistencia activa o pasiva, capaz de construir gestos, pensamientos o acciones que puedan hacer frente al autoritarismo–. Revisa el papel del arte como resistencia, en cuanto a su capacidad e ingenio para construir un orden distinto al actual y el dibujo como cuerpo de la sensación frente a la escritura. Un dibujo no es un texto, abre a una lógica distinta donde un cuerpo enseña un pensamiento encarnado y manifiesta su impotencia a través de su movimiento. Finalmente, subraya el derecho a desobedecer desde el cuerpo y el dibujo como disidencia frente a lo que nos oprime y esclaviza.</dc:description>
<dc:publisher xml:lang="es-ES">Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2020-07-10</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículos evaluados por pares</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2897</dc:identifier>
<dc:source xml:lang="en-US">Art History Notebooks; No. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 205-237</dc:source>
<dc:source xml:lang="es-ES">CUADERNOS DE HISTORIA DEL ARTE; Núm. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 205-237</dc:source>
<dc:source>2618-5555</dc:source>
<dc:source>0070-1688</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2897/2655</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2020 CUADERNOS DE HISTORIA DEL ARTE</dc:rights>
</oai_dc:dc>
Datos convertidos
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"Uprising lines, drawing in front of writing"
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"title": "Uprising lines, drawing in front of writing",
"title_short": "Uprising lines, drawing in front of writing",
"title_full": "Uprising lines, drawing in front of writing",
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"title_full_unstemmed": "Uprising lines, drawing in front of writing",
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"description": "The present text seeks to connect body, drawing and uprising \u2013understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism\u2013. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different than the current one and drawing as a sensation embodied in front of writing. A drawing is not a text, it opens to a different logic where a body shows an incarnated thought and manifests its impotence through movement. Finally, it emphasizes the human right of disobeying from the body and the drawing as dissidence against what oppresses and enslaves us.",
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