XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R101article-2413</identifier><datestamp>2020-12-11T17:13:24Z</datestamp>
<dc:title xml:lang="es-ES">Una aproximación a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).</dc:title>
<dc:creator>Cremaschi, Verónica</dc:creator>
<dc:subject xml:lang="es-ES">HISTORIA - ARTE- MUJERES-ROSARIO MORENO</dc:subject>
<dc:description xml:lang="en-US">This work proposes a critical review of local art history from a feminist perspective, based on the visibility of Rosario Moreno's trajectory.
This artist was born in Mendoza around 1914, developed her career between America and Europe and was an active participant in the construction of the provincial cultural field, however her life and work have been very little deepened by the history of local art.
So with this work, we revisit Moreno's biography with the intention of placing it in the cultural context of his time. This, while elucidating the transcendence of his performance, shows the little importance that has been given to female figures in the historiography of provincial and national art.&nbsp;
As a result we observe that there is a contrast with the wide trajectory and activities of the artist in the circuits that legitimize aesthetic practices, and the poor reflection that is observed in the history of local art. We consider that this fact is due, as different authors have rescued, to the silencing that women have suffered in the history of art.</dc:description>
<dc:description xml:lang="es-ES">El presente trabajo propone una revisión crítica de la historia del arte local desde la perspectiva feminista a partir de la visibilización de la trayectoria de Rosario Moreno.
Esta artista nacida en Mendoza alrededor de 1914, desarrolló su carrera entra América y Europa y fue una partícipe activa en la construcción del campo cultural provincial, sin embargo su vida y obra han sido muy poco profundizadas por la historia del arte local.
Así es que con este trabajo, revisitamos la biografía de Moreno con la intención de resituarla en el contexto cultural de su tiempo. Ello, a la par de elucidar la trascendencia de su desempeño, evidencia la poca importancia que se ha concedido a las figuras femeninas en la historiografía del arte provincial y nacional. &nbsp;
Como resultado observamos que existe un contraste con la amplia trayectoria y actividades de la artista en los circuitos legitimadores de las prácticas estéticas, y el pobre reflejo que se observa en la historia del arte local. Consideramos que este hecho se debe, como han rescatado distintas/os autoras/es, al silenciamiento que han sufrido las mujeres en la historia del arte.</dc:description>
<dc:publisher xml:lang="es-ES">Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2020-09-04</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares doble ciego.</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2413</dc:identifier>
<dc:source xml:lang="en-US">Art History Notebooks; No. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 359-399</dc:source>
<dc:source xml:lang="es-ES">CUADERNOS DE HISTORIA DEL ARTE; Núm. 34 (2020): Dossier: El dibujo entre América y Europa en época moderna y contemporánea. Historia, modelos, aplicaciones; 359-399</dc:source>
<dc:source>2618-5555</dc:source>
<dc:source>0070-1688</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2413/2659</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2020 CUADERNOS DE HISTORIA DEL ARTE</dc:rights>
</oai_dc:dc>
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"title": "Una aproximaci\u00f3n a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).",
"title_short": "Una aproximaci\u00f3n a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).",
"title_full": "Una aproximaci\u00f3n a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).",
"title_fullStr": "Una aproximaci\u00f3n a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).",
"title_full_unstemmed": "Una aproximaci\u00f3n a la trayectoria profesional de la mendocina Rosario Moreno (1914c- 2010c).",
"title_sort": "una aproximaci\u00f3n a la trayectoria profesional de la mendocina rosario moreno (1914c- 2010c).",
"description": "This work proposes a critical review of local art history from a feminist perspective, based on the visibility of Rosario Moreno's trajectory.\nThis artist was born in Mendoza around 1914, developed her career between America and Europe and was an active participant in the construction of the provincial cultural field, however her life and work have been very little deepened by the history of local art.\nSo with this work, we revisit Moreno's biography with the intention of placing it in the cultural context of his time. This, while elucidating the transcendence of his performance, shows the little importance that has been given to female figures in the historiography of provincial and national art. \nAs a result we observe that there is a contrast with the wide trajectory and activities of the artist in the circuits that legitimize aesthetic practices, and the poor reflection that is observed in the history of local art. We consider that this fact is due, as different authors have rescued, to the silencing that women have suffered in the history of art.",
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