Herramienta de chequeo de registro xml obtenido desde Cuadernos de Historia del Arte

XML

<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R101article-2368</identifier><datestamp>2020-12-10T11:51:23Z</datestamp>
	<dc:title xml:lang="en-US">Minga (or Minka) as a heritage restoration practice in the process of restoring the church Nuestra Señora de la Candelaria in Quinterquén, Chiloé, Chile</dc:title>
	<dc:title xml:lang="es-ES">La minga como práctica de restauración patrimonial Proceso de restauración de la Iglesia Nuestra Señora de la Candelaria de Quinterquén, Isla de Caucachué, Chiloé Chile</dc:title>
	<dc:title xml:lang="fr-FR">Minga en tant que pratique de restauration du patrimoine Processus de restauration de l'Église Notre-Dame de la Candelaria de Quinterquén, île de Caucachué, Chiloé, Chili</dc:title>
	<dc:title xml:lang="pt-BR">A minga como prática de restauração patrimonial Processo de restauração da Igreja Nossa Senhora da Candelária de Quinterquén, Ilha de Caucaché, Chiloé, Chile</dc:title>
	<dc:title xml:lang="ru-RU">restauration de l'Église Notre-Dame de la Candelaria de Quinterquén, île de Caucachué, Chiloé, Chili</dc:title>
	<dc:creator>Ciudad Bazaul , Cristina</dc:creator>
	<dc:creator>Salvadores Ferrando, María Paz</dc:creator>
	<dc:subject xml:lang="es-ES">Minga</dc:subject>
	<dc:subject xml:lang="es-ES">Patrimonio religioso</dc:subject>
	<dc:subject xml:lang="es-ES">Huilliche</dc:subject>
	<dc:subject xml:lang="es-ES">Chiloé</dc:subject>
	<dc:subject xml:lang="en-US">Minga</dc:subject>
	<dc:subject xml:lang="en-US">Heritage</dc:subject>
	<dc:subject xml:lang="en-US">Religious</dc:subject>
	<dc:subject xml:lang="en-US">Huilliche</dc:subject>
	<dc:subject xml:lang="en-US">Chiloe</dc:subject>
	<dc:subject xml:lang="pt-BR">Minga</dc:subject>
	<dc:subject xml:lang="pt-BR">Patrimonio religioso</dc:subject>
	<dc:subject xml:lang="pt-BR">Huilliche</dc:subject>
	<dc:subject xml:lang="pt-BR">Chiloé</dc:subject>
	<dc:subject xml:lang="fr-FR">Minga</dc:subject>
	<dc:subject xml:lang="fr-FR">Patrimoine religieux</dc:subject>
	<dc:subject xml:lang="fr-FR">Huilliche</dc:subject>
	<dc:subject xml:lang="fr-FR">Chiloé</dc:subject>
	<dc:subject xml:lang="ru-RU">МИНГА</dc:subject>
	<dc:subject xml:lang="ru-RU">РЕЛИГИОЗНОЕ НАСЛЕДИЕ</dc:subject>
	<dc:subject xml:lang="ru-RU">УИЛЬШЕ</dc:subject>
	<dc:description xml:lang="en-US">The following article shows the path of a work team in addressing a process of heritage restoration with a community integration approach, taking up the tradition of minga as method. First, the stages of the experience carried out so far are described, together with the definition of minga and its application in the restoration of the church of La Candelaria in Quinterquén, on the island of Chiloé, Chile. This methodology of work based on the experience is in development to be able to make it replicable in the future, responding to a deteriorating heritage and making the ancestral practice of minga a valid practice.</dc:description>
	<dc:description xml:lang="es-ES">El siguiente artículo muestra el recorrido de un equipo de trabajo al abordar un proceso de restauración patrimonial con un enfoque de integración comunitaria, retomando la tradición de la minga como método. En primer lugar se describen las etapas de la experiencia realizada hasta ahora, a lo que se suma la definición de minga y su aplicación en el caso de la restauración de la Iglesia de la Candelaria de Quinterquén, en la isla de Chiloé, Chile. Esta metodología de trabajo basada en la experiencia se encuentra en desarrollo para poder hacerla replicable en un futuro, dando respuesta a un patrimonio en deterioro y a su vez vigencia a la práctica ancestral de la minga.</dc:description>
	<dc:description xml:lang="fr-FR">L'article suivant montre la voie empruntée par une équipe de travail pour aborder un processus de restauration du patrimoine avec une approche d'intégration communautaire, en suivant la tradition de la minga. On décrit d’abord les étapes de l’expérience jusqu’à présent, auxquelles s’ajoutent la définition de la minga et son application dans le cas de la restauration de l’église de la Candelaria de Quinterquén, sur l’île de Chiloé, au Chili. Cette méthodologie de travail basée sur l'expérience est en cours de développement pour pouvoir la rendre reproductible à l'avenir, en réponse à un patrimoine en détérioration et validant en même temps la pratique ancestrale de la minga.</dc:description>
	<dc:description xml:lang="pt-BR">O seguinte artigo mostra o percorrido de uma equipe de trabalho ao abordar um processo de restauração patrimonial com um enfoque de integração comunitária, retomando a tradição da minga como método. Em primeiro lugar se descrevem as etapas da experiência realizada até agora, ao que se adiciona a definição de minga e a sua aplicação no caso da restauração da Igreja da Candelária de Quinterquén, na Ilha de Chiloé, Chile. Esta metodologia de trabalho baseada na experiência, se encontra em desenvolvimento para poder fazê-la replicável em um futuro, dando resposta a um patrimônio em deterioro e à sua vez vigência à prática ancestral da minga.</dc:description>
	<dc:description xml:lang="ru-RU">В следующей статье показан путь рабочей группы, решение процесса восстановления наследия с использованием подхода интеграции сообщества, принимая традицию "минги" как метода. Сначала описаны этапы проведенного опыта до этого момента. к этому добавлено определение "минга" и его применение в случае восстановления церкви Канделария в Кинтеркуене, на острове Чилоэ, в Чили. Эта методология работы основана на опыте находится в разработке, чтобы иметь возможность сделать её воспроизводимым в будущем, реагирование на ухудшающееся наследие и, в свою очередь, обоснованность исконной практики "минги".</dc:description>
	<dc:publisher xml:lang="es-ES">Comité Editor IHA - Instituto de Historia del Arte  -  Facultad de Filosofía y Letras - Universidad Nacional de Cuyo</dc:publisher>
	<dc:date>2019-06-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="es-ES">Artículos evaluados por pares</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2368</dc:identifier>
	<dc:source xml:lang="en-US">Art History Notebooks; No. 32 (2019): DOSSIER: TERRITORIO Y PATRIMONIO INDÍGENA; 107-141</dc:source>
	<dc:source xml:lang="es-ES">CUADERNOS DE HISTORIA DEL ARTE; Núm. 32 (2019): DOSSIER: TERRITORIO Y PATRIMONIO INDÍGENA; 107-141</dc:source>
	<dc:source>2618-5555</dc:source>
	<dc:source>0070-1688</dc:source>
	<dc:language>spa</dc:language>
	<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2368/1745</dc:relation>
</oai_dc:dc>

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    "title": "Minga (or Minka) as a heritage restoration practice in the process of restoring the church Nuestra Se\u00f1ora de la Candelaria in Quinterqu\u00e9n, Chilo\u00e9, Chile",
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    "title_sort": "minga (or minka) as a heritage restoration practice in the process of restoring the church nuestra se\u00f1ora de la candelaria in quinterqu\u00e9n, chilo\u00e9, chile",
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