XML
<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>I11-R101article-1477</identifier><datestamp>2020-12-02T13:26:42Z</datestamp>
<dc:title xml:lang="en-US">Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)</dc:title>
<dc:title xml:lang="es-ES">Avances y estrategias para un análisis sociológico de arte contemporáneo mendocino. El corpus: la programación anual de los museos de arte de Mendoza (1983-2001)</dc:title>
<dc:title xml:lang="pt-BR">Avanços e estratégias para uma análise sociológica da arte contemporânea mendocino. El corpus: a programação anual dos museus de arte de Mendoza (1983-2001)</dc:title>
<dc:creator>Rosario Zavala, María del Rosario</dc:creator>
<dc:subject xml:lang="es-ES">Arte</dc:subject>
<dc:subject xml:lang="es-ES">Sociología</dc:subject>
<dc:subject xml:lang="es-ES">Memoria</dc:subject>
<dc:subject xml:lang="es-ES">Postdictadura</dc:subject>
<dc:subject xml:lang="es-ES">Art</dc:subject>
<dc:subject xml:lang="es-ES">Sociology</dc:subject>
<dc:subject xml:lang="es-ES">Memoris</dc:subject>
<dc:description xml:lang="en-US">Understanding the current museum as a memory device, full of content with a key role in the transmission of cultural heritage, enables us to analyze the story on contemporary art in Mendoza which places museums as the institutions which spread the so needed cultural memory of a community.
In this sphere, based on studies on art and society, we seek to establish some strategies to argue about the links between art and memory management from post-dictatorship Mendoza (1983-2001).
Our work moves towards building a particular sociological perspective of art, based on social theory and artistic practices in context, adopting approaches to address a complex problem. Our object of study is the link between the management of cultural memory and the management of art during the period following the dictatorship (1983-2001), and its impact on the annual program of the art institutes in Mendoza.
In this sense, understanding that artistic practices are developed in a world of art (Becker, 1974, 2008) as a variable and flexible cooperative network, we make a thorough description of the annual activities in art museums of Mendoza in the period 1983-2001, to come to conclusions regarding the construction of cultural memory through museums.
Thus, we try to show some of our doctoral research axes: "Art museums of Mendoza in the construction of a necessary cultural memory (19832001)". In search of a critical perspective, we suggest some definitions regarding an analysis strategy (model) for our aim "”scheduling activities, through a shift from the models of artwork analysis towards these schedules to observe the possible constraints of museum management at the stage of post-dictatorship.</dc:description>
<dc:description xml:lang="es-ES">Comprender al museo actual como un dispositivo de la memoria, de contenidos en testimonios materiales con un rol clave en la transmisión de la herencia cultural, nos posibilita analizar el relato sobre el arte mendocino contemporáneo que pone en escena esta institución desde la idea de comunicar la memoria cultural necesaria.
Con esta comunicación. a partir de los estudios sobre arte y sociedad, se busca establecer algunas estrategias para problematizar los vínculos entre gestiones de arte y gestiones de memoria en la postdictadura mendocina (1983-2001).
Nuestro trabajo se orienta hacia la construcción de una perspectiva sociológica del arte propia, fundamentada desde la teoría social y las prácticas artísticas en contexto, adoptando enfoques que permitan abordar una problemática compleja. Tomamos como objeto de estudio la vinculación entre las gestiones de memoria cultural y las gestiones del arte en la etapa de postdictadura (1983-2001), y su incidencia en el Programa anual de las instituciones museo de arte de Mendoza(M.P.B.A.E.G.–C.F. y M.M.A.M.M). En este sentido, a partir de comprender que las prácticas artísticas se desarrollan en un mundo del arte (Becker, 1974, 2008), como una red cooperativa variable y flexible, la propuesta es realizar una descripción densa de la trayectoria de la Programación anual de actividades de los museos de arte de Mendoza en el periodo 1983-2001, para lograr algunas reflexiones sobre la construcción de la memoria cultural necesaria a través de lamusealidad.En esta participación intentamos adelantar algunos ejes de nuestra investigación doctoral: "Los museos de arte de Mendoza en la construcción de una memoria cultural necesaria (1983-2001)". En la búsqueda de una perspectiva crítica proponemos algunas definiciones respecto a una estrategia (modelo) de análisis para nuestro objeto, la programación de actividades, a través de un desplazamiento desde los modelos de análisis de obra a estas programaciones, para observar los posibles condicionamientos de la gestión museística en la etapa de postdictadura.</dc:description>
<dc:description xml:lang="pt-BR">Compreender ao museu atual como um dispositivo da memória, de&nbsp;conteúdos em depoimentos materiais com um rol chave na transmissão da herança cultural, possibilita-nos a analisar o relato sobre a arte mendocina contemporânea, que põe em cena esta instituição desde a ideia de comunicar a memória cultural necessária.
Com esta comunicação a partir dos estudos sobre arte e sociedade,busca-se estabelecer algumas estratégias para problematizar osvínculos gestões de arte e gestões de memória na pós-ditaduramendocina (1983-2001).
Nosso trabalho orienta-se à construção de uma perspectiva sociológica da arte própria, fundamentada desde a teoria social e as práticas artísticas em contexto, adotando enfoques que permitam abordar uma problemática complexa. Tomamos como objeto de estudo a vinculação entre as gestões de memória atual e as gestões da arte na etapa da pós-ditadura ()1983-2001), e sua incidência no Programa anual das instituições museu de arte de Mendoza (M.P.B.A.E.G.–C.F. e M.M.A.M.M). Neste sentido, a partir de compreender que as práticas artísticas desenvolvem-se em um mundo da arte (Becker, 1974, 2008), como uma rede cooperativa variável e flexível, a proposta é realizar uma descrição densa da trajetória da Programação anual de atividades dos museus de arte de Mendoza no período 1983 – 2001, para lograr algumas reflexões sobre a construção da memória cultural necessária através da museologia.
Nesta participação tentamos adiantar alguns eixos de nossa investigação doutoral: "Os museus de arte de Mendoza de uma memória cultural necessária (1983-2001)" Na busca de uma perspectiva crítica propomos algumas definições respeito a uma estratégia (modelo) de análise para nosso objeto, a programação de atividades, através de um deslocamento desde os modelos de análise de obra a estas programações, para observar os possíveis condicionamentos da gestão museológica na etapa da pós-ditadura.</dc:description>
<dc:publisher xml:lang="es-ES">Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo</dc:publisher>
<dc:date>2018-12-16</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="es-ES">Artículo evaluado por pares doble ciego.</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477</dc:identifier>
<dc:source xml:lang="en-US">Art History Notebooks; No. 30 (2018): DOSSIER: ARQUITECTURA DE MENDOZA; 207-243</dc:source>
<dc:source xml:lang="es-ES">CUADERNOS DE HISTORIA DEL ARTE; Núm. 30 (2018): DOSSIER: ARQUITECTURA DE MENDOZA; 207-243</dc:source>
<dc:source>2618-5555</dc:source>
<dc:source>0070-1688</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477/1005</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2018 Cuadernos de Historia del Arte</dc:rights>
</oai_dc:dc>
Datos convertidos
{
"id": "I11-R101article-1477",
"record_format": "ojs",
"institution": [
"Universidad Nacional de Cuyo"
],
"institution_str": "I-11",
"repository_str": "R-101",
"container_title_str": "CUADERNOS DE HISTORIA DEL ARTE",
"language": [
"Espa\u00f1ol"
],
"format": [
"Art\u00edculo revista"
],
"topic": [
"Arte",
"Sociolog\u00eda",
"Memoria",
"Postdictadura",
"Art",
"Sociology",
"Memoris"
],
"spellingShingle": [
"Arte",
"Sociolog\u00eda",
"Memoria",
"Postdictadura",
"Art",
"Sociology",
"Memoris",
"Rosario Zavala, Mar\u00eda del Rosario",
"Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)"
],
"topic_facet": [
"Arte",
"Sociolog\u00eda",
"Memoria",
"Postdictadura",
"Art",
"Sociology",
"Memoris"
],
"author": [
"Rosario Zavala, Mar\u00eda del Rosario"
],
"author_facet": [
"Rosario Zavala, Mar\u00eda del Rosario"
],
"author_sort": "Rosario Zavala, Mar\u00eda del Rosario",
"title": "Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)",
"title_short": "Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)",
"title_full": "Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)",
"title_fullStr": "Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)",
"title_full_unstemmed": "Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)",
"title_sort": "advances and strategies for a sociological analysis of contemporary art mendocino. el corpus: the annual programming of mendoza art museums (1983-2001)",
"description": "Understanding the current museum as a memory device, full of content with a key role in the transmission of cultural heritage, enables us to analyze the story on contemporary art in Mendoza which places museums as the institutions which spread the so needed cultural memory of a community.\nIn this sphere, based on studies on art and society, we seek to establish some strategies to argue about the links between art and memory management from post-dictatorship Mendoza (1983-2001).\nOur work moves towards building a particular sociological perspective of art, based on social theory and artistic practices in context, adopting approaches to address a complex problem. Our object of study is the link between the management of cultural memory and the management of art during the period following the dictatorship (1983-2001), and its impact on the annual program of the art institutes in Mendoza.\nIn this sense, understanding that artistic practices are developed in a world of art (Becker, 1974, 2008) as a variable and flexible cooperative network, we make a thorough description of the annual activities in art museums of Mendoza in the period 1983-2001, to come to conclusions regarding the construction of cultural memory through museums.\nThus, we try to show some of our doctoral research axes: \"Art museums of Mendoza in the construction of a necessary cultural memory (19832001)\". In search of a critical perspective, we suggest some definitions regarding an analysis strategy (model) for our aim \"\u201dscheduling activities, through a shift from the models of artwork analysis towards these schedules to observe the possible constraints of museum management at the stage of post-dictatorship.",
"publisher": [
"Comit\u00e9 Editor IHA - Instituto de Historia del Arte - Facultad de Filosof\u00eda y Letras - Universidad Nacional de Cuyo"
],
"publishDate": [
"2018"
],
"url": [
"https:\/\/revistas.uncu.edu.ar\/ojs3\/index.php\/cuadernoshistoarte\/article\/view\/1477"
],
"work_keys_str_mv": [
"AT rosariozavalamariadelrosario advancesandstrategiesforasociologicalanalysisofcontemporaryartmendocinoelcorpustheannualprogrammingofmendozaartmuseums19832001",
"AT rosariozavalamariadelrosario avancesyestrategiasparaunanalisissociologicodeartecontemporaneomendocinoelcorpuslaprogramacionanualdelosmuseosdeartedemendoza19832001",
"AT rosariozavalamariadelrosario avancoseestrategiasparaumaanalisesociologicadaartecontemporaneamendocinoelcorpusaprogramacaoanualdosmuseusdeartedemendoza19832001"
],
"first_indexed": "2022-06-20T13:35:56Z",
"last_indexed": "2022-06-20T13:35:56Z",
"bdutipo_str": "Revistas",
"_version_": 1764819784472461313
}