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<dc:title xml:lang="en-US">People do not want to think, people want to be a fan</dc:title>
<dc:title xml:lang="es-ES">La gente no quiere pensar, la gente quiere ser fan</dc:title>
<dc:creator>Nieto, Verónica</dc:creator>
<dc:subject xml:lang="en-US">Author</dc:subject>
<dc:subject xml:lang="en-US">Writer</dc:subject>
<dc:subject xml:lang="en-US">Fan</dc:subject>
<dc:subject xml:lang="en-US">Reception theory</dc:subject>
<dc:subject xml:lang="en-US">Reader</dc:subject>
<dc:subject xml:lang="en-US">Literary criticism</dc:subject>
<dc:subject xml:lang="es-ES">Autor</dc:subject>
<dc:subject xml:lang="es-ES">Escritor</dc:subject>
<dc:subject xml:lang="es-ES">Fan</dc:subject>
<dc:subject xml:lang="es-ES">Teoría de la recepción</dc:subject>
<dc:subject xml:lang="es-ES">Lector</dc:subject>
<dc:subject xml:lang="es-ES">Crítica literaria</dc:subject>
<dc:description xml:lang="en-US">About El ciudadano ilustre and the mediatization of the author as a star figure and the phenomenon of the author’s importance more than the writer’s work. People want to be a fan. In addition, the article makes a brief explanation of the structuralism positions of literary criticism, which in the mid-twentieth century postulated the “death of the author” and the birth of the theory of reception, that is, the importance of the reader and interpretation much more than of authorship and intentionality of the author. However, the author was taking more and more prominence, although he does it outside the text. The author ceases to be a function within the text and becomes enormously important as a person of flesh and blood.</dc:description>
<dc:description xml:lang="es-ES">A propósito de El ciudadano ilustre y la mediatización del autor como figura estrella y el fenómeno de la importancia del autor tanto más que la obra del escritor. La gente quiere ser fan. Además, el artículo explica brevemente las posturas estructuralistas de la crítica literaria, que a mediados del siglo XX postulaban la “muerte del autor” y el nacimiento de la teoría de la recepción, es decir, la importancia del lector y de la interpretación mucho más que de la autoría y la intencionalidad del autor. Sin embargo, el autor fue tomando protagonismo cada vez más, aunque lo haga fuera del texto. El autor deja de ser una función dentro del texto y cobra enorme importancia como persona de carne y hueso.</dc:description>
<dc:publisher xml:lang="es-ES">Centro de Investigaciones y Estudios sobre Cultura y Sociedad</dc:publisher>
<dc:date>2018-11-01</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22770</dc:identifier>
<dc:source xml:lang="es-ES">Ética y Cine Journal; Vol. 8 Núm. 3 (2018): Fanatismos; 19-22</dc:source>
<dc:source>2250-5415</dc:source>
<dc:source>2250-5660</dc:source>
<dc:source>10.31056/2250.5415.v8.n3</dc:source>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22770/23039</dc:relation>
<dc:rights xml:lang="es-ES">Derechos de autor 2018 Ética&Cine Journal</dc:rights>
</oai_dc:dc>
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