Antecedentes psicoanalíticos de la nueva dramaturgia argentina: los textos clínicos de Eduardo Pavlovsky
The essay explores the relationship between psychoanalysis and theater in Argentinas new dramaturgy. It specifically focuses on Eduardo Pavlovsky's contribution to acting and writing, and the influence of Pavlovsky's "theatre of multiplicity" or "theatre of intensity&q...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2008
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9389 |
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| Sumario: | The essay explores the relationship between psychoanalysis and theater in Argentinas new dramaturgy. It specifically focuses on Eduardo Pavlovsky's contribution to acting and writing, and the influence of Pavlovsky's "theatre of multiplicity" or "theatre of intensity" on recent Argentine dramatists (Bartís, Veronese, Spregelburd). However, the article does not approach Pavlovsky's dramatic texts; on the contrary, it comes close to Pavlovskys clinical texts, namely, those essays written on therapeutic issues related to psychodrama, role-playing, and the role of analysts. These essays were written by Pavlovsky in collaboration with Kasselman, Martínez Bouquet, Moccio, and other colleagues connected to psychoanalysis and its institutional implementation. The article revisits Enrique Pichon-Rivières influence on Argentine cultural production and, by doing so, explores how psychoanalysis was shaping theatrical trends in Argentine contemporary dramaturgy. |
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