Elementos performativos en la reposición de los clásicos a través de las puestas en escena tradicionales: el caso de "Ricardo III" de Thomas Ostermeier

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This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aes...

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Detalles Bibliográficos
Autor principal: Ibarra Letelier, Javier Ignacio
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247
Aporte de:
telondefondo de Universidad de Buenos Aires
Descripción
Sumario:This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aesthetics of the performative. These authors’ writings provide contemporary aesthetical definitions that can be used as a support to analyse the work of theatre directors who combine the ‘conventional’ and the ‘performative’ in their mise-en-scène.

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