Text on stage: operations in the staging of "GAZ" by Tom Lanoye
The aim of this article is to observe the onstage operations that make "GAZ: Pleidooi van een gedoemde moeder" an unspecific piece, and particularly, in which manner the text operates autonomously and becomes an object of exposition in the representation. "GAZ: Pleidooi van een gedoem...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251 |
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| Sumario: | The aim of this article is to observe the onstage operations that make "GAZ: Pleidooi van een gedoemde moeder" an unspecific piece, and particularly, in which manner the text operates autonomously and becomes an object of exposition in the representation. "GAZ: Pleidooi van een gedoemde moeder" is a play written by Tom Lanoye, belgian dramatist, and consists of a monologue in which the mother of a man responsible for a terrorist attack carries out a sort of plea in self-defense but also in defense of her son. The play was translated to Spanish by Micaela van Muylem and enacted by Compañía Teatro Magdalena (Santiago de Chile) in 2017. |
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