The language of the actor and the infinite translation
Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's w...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 |
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I28-R267-article-102492023-10-02T14:21:40Z The language of the actor and the infinite translation El idioma del actor y la traducción infinita Berger, Laurent Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's work and his relationship with the director, developing the concept of inner language, to analyze the different translation operations that are used to produce the show and how they work. We show how this dynamic of translation feeds acting creativity, allows to penetrate the inner world of the actor and generates cyclical regimes that transform translation work into an infinite task. Partiendo de la función de la traducción de una obra teatral para su versión escénica, indagamos en el proceso general de creación del espectáculo observando cómo el acto de traducción se multiplica y se despliega en realidad en todos los estratos de ese proceso. Concentramos esta reflexión en el trabajo del actor y su relación con el director, desarrollando el concepto de idioma interior, para analizar las diferentes operaciones de traducción que se utilizan para producir el espectáculo y su funcionamiento. Mostramos cómo esa dinámica de traducción nutre la creatividad actoral, permite penetrar el mundo interior del intérprete y genera regímenes cíclicos que transforman el trabajo de traducción en una tarea infinita. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-05-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 10.34096/tdf.n33.10249 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249/9139 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249/9155 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 |
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Universidad de Buenos Aires |
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I-28 |
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R-267 |
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telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare |
| spellingShingle |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare Berger, Laurent The language of the actor and the infinite translation |
| topic_facet |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare |
| author |
Berger, Laurent |
| author_facet |
Berger, Laurent |
| author_sort |
Berger, Laurent |
| title |
The language of the actor and the infinite translation |
| title_short |
The language of the actor and the infinite translation |
| title_full |
The language of the actor and the infinite translation |
| title_fullStr |
The language of the actor and the infinite translation |
| title_full_unstemmed |
The language of the actor and the infinite translation |
| title_sort |
language of the actor and the infinite translation |
| description |
Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's work and his relationship with the director, developing the concept of inner language, to analyze the different translation operations that are used to produce the show and how they work. We show how this dynamic of translation feeds acting creativity, allows to penetrate the inner world of the actor and generates cyclical regimes that transform translation work into an infinite task. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 |
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AT bergerlaurent thelanguageoftheactorandtheinfinitetranslation AT bergerlaurent elidiomadelactorylatraduccioninfinita AT bergerlaurent languageoftheactorandtheinfinitetranslation |
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2023-06-27T21:36:04Z |
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2023-11-08T21:11:52Z |
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