Cicatrices del tiempo: Desgarros de la temporalidad y figuras de la memoria en la poesía escrita por mujeres privadas de su libertad
While the prison silences those who inhabit it, a series of dissident voices rise up as a “silent heartbeat” (Preciado, 2018) that finds, in the poetic language, a tool of resistance against a present that perforates their subjectivity. Based on the analysis of poems written by imprisoned women in E...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
|
| Materias: | |
| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/mora/article/view/6536 |
| Aporte de: |
| Sumario: | While the prison silences those who inhabit it, a series of dissident voices rise up as a “silent heartbeat” (Preciado, 2018) that finds, in the poetic language, a tool of resistance against a present that perforates their subjectivity. Based on the analysis of poems written by imprisoned women in Ezeiza’s jail during the last decade, I propose to study the figure of memory —“scar of time” (Cabrera, [2013] 2016) not overlapped with moral condemnation (Parchuc, 2018)— as a timeless rewriting of the female body and as a way of resisting against a chronometric violence that tames bodies and locks them into a suffocating routine. |
|---|