From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)

The aim of this article is to explore the ways in which the writers of the musical magazine called Correo Musical Sud-Americano were part of the dynamic production of knowledge between Latin America and Germany during the Great War I, by managing discursive strategies, thematic approaches, translati...

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Autor principal:	Irurzun, María Josefina
Formato:	Artículo revista
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2026
Materias:	culturas musicales Primera Guerra Mundial Publicaciones periódicas americanismo germanismo Musical cultures World War I Magazines Americanism Germanism
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/17266
Aporte de:	Historia y guerra de Universidad de Buenos Aires

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spelling	I28-R255-article-172662026-04-10T00:10:08Z From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915) De la “Reforma” al “Americanismo” musical: representaciones de la cultura alemana durante la Primera Guerra Mundial en la revista Correo Musical Sud-Americano (1915) Irurzun, María Josefina culturas musicales Primera Guerra Mundial Publicaciones periódicas americanismo germanismo Musical cultures World War I Magazines Americanism Germanism The aim of this article is to explore the ways in which the writers of the musical magazine called Correo Musical Sud-Americano were part of the dynamic production of knowledge between Latin America and Germany during the Great War I, by managing discursive strategies, thematic approaches, translations and social bonds, and based on a variety of backgrounds, traditions and ideas regarding to the German culture. The analysis focuses on the first year (1915) of the editorial project, in light of the new historiographical perspectives on the global connections of the Great War, where Latin America emerges as an attentive actor to the transformations. The research shows that, in its first two editorial times, the music of German cultural tradition is recovered in different ways, as well as the definition of what is interpreted as “Musical Americanism”. Further research of the following editorial times is needed in order to compose a processual image of their multiple links. El objetivo general de este artículo es identificar diversas modalidades de participación (abordajes temáticos, estrategias discursivas, traducciones y vinculaciones) de los redactores de la publicación musical Correo Musical Sud-Americano en la producción de saberes en tránsito entre Latinoamérica y Alemania en la coyuntura de la Gran Guerra, mediados por diferentes adscripciones, tradiciones e imaginarios sobre lo alemán. El análisis se centra en el primer año (1915) del proyecto editorial, a la luz de las nuevas miradas historiográficas sobre las conexiones globales de la Gran Guerra, donde América Latina emerge como un actor atento a las transformaciones acontecidas. La investigación comprueba que, en sus dos primeras etapas editoriales, la música de tradición cultural alemana es recuperada de diferentes modos, así como la definición de lo que se interpreta como “americanismo musical”. Será necesario continuar indagando en los siguientes tiempos editoriales en pos de componer una imagen procesual de sus múltiples vinculaciones. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2026-04-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/17266 10.34096/hyg.n9.17266 Historia & Guerra; No. 9 (2026): Enero-Junio; 10-33 Historia & Guerra; Núm. 9 (2026): Enero-Junio; 10-33 2796-8650 spa https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/17266/16052 https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/17266/16075 Derechos de autor 2026 María Josefina Irurzun https://creativecommons.org/licenses/by-nc/4.0
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-255
container_title_str	Historia y guerra
language	Español
format	Artículo revista
topic	culturas musicales Primera Guerra Mundial Publicaciones periódicas americanismo germanismo Musical cultures World War I Magazines Americanism Germanism
spellingShingle	culturas musicales Primera Guerra Mundial Publicaciones periódicas americanismo germanismo Musical cultures World War I Magazines Americanism Germanism Irurzun, María Josefina From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
topic_facet	culturas musicales Primera Guerra Mundial Publicaciones periódicas americanismo germanismo Musical cultures World War I Magazines Americanism Germanism
author	Irurzun, María Josefina
author_facet	Irurzun, María Josefina
author_sort	Irurzun, María Josefina
title	From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
title_short	From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
title_full	From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
title_fullStr	From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
title_full_unstemmed	From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)
title_sort	from the “reformation” to “musical americanism”: representations of german culture during the first world war in the magazine correo musical sud-americano (1915)
description	The aim of this article is to explore the ways in which the writers of the musical magazine called Correo Musical Sud-Americano were part of the dynamic production of knowledge between Latin America and Germany during the Great War I, by managing discursive strategies, thematic approaches, translations and social bonds, and based on a variety of backgrounds, traditions and ideas regarding to the German culture. The analysis focuses on the first year (1915) of the editorial project, in light of the new historiographical perspectives on the global connections of the Great War, where Latin America emerges as an attentive actor to the transformations. The research shows that, in its first two editorial times, the music of German cultural tradition is recovered in different ways, as well as the definition of what is interpreted as “Musical Americanism”. Further research of the following editorial times is needed in order to compose a processual image of their multiple links.
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2026
url	https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/17266
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first_indexed	2026-04-13T05:05:57Z
last_indexed	2026-04-13T05:05:57Z
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From the “Reformation” to “Musical Americanism”: representations of German culture during the First World War in the magazine Correo Musical Sud-Americano (1915)

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