Musical “Avant-garde” and “rearguard” in Cuba: historical narratives and polemics (1961-1971)

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This work starts from a question: which has been the historiographical narrative of the Cuban musical avant-garde and its polemics? Its aim is to define the tensions that took place in musical creation at the beginning of the Cuban Revolution by examining the historiographic sources signed by its pr...

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Detalles Bibliográficos
Autores principales: Blanco García, Yurima, Pérez Gómez, Ailer
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Musical avant-garde; rearguard; composers; Cuban Revolution; criticism
vanguardia musical; retaguardia; compositores; Revolución Cubana; crítica
música de vanguarda; retaguarda; compositores; Revolução Cubana; crítica
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8062
Aporte de:
El oído pensante de Universidad de Buenos Aires

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