New Music as a Territory of the Emancipation of Technological Resources
Considering a 20th century that saw the birth of instruments, musical resources, and techniques that responded to the demands of the music of its own time, in this article, we examine whether the gradual consolidation of electronic resources in the compositional field has some kind of relationship w...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2024
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/14143 |
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| Sumario: | Considering a 20th century that saw the birth of instruments, musical resources, and techniques that responded to the demands of the music of its own time, in this article, we examine whether the gradual consolidation of electronic resources in the compositional field has some kind of relationship with the development of the Cultural Industry, which, according to the Frankfurt School, is driven through the expansion of communication technologies. Based on Heidegger’s analysis of the nature of these resources, we pay special attention to the way in which their entry into the creative process entails the gradual appearance of a distinct thought from the musical one, a thought that arises from the technological stage and that can be traced back to the instrumental reason defined by Marcuse, all within a process where new technologies seem to guide their development towards their own autonomy. |
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